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Entertainment

Band Of Horses Drop 20th Anniversary Edition of Debut LP Everything All the Time

by Julia Evans – Entertainment Editor
written by Julia Evans – Entertainment Editor

Band Of Horses’ acclaimed 2006 debut,Everything All the Time,is getting a special 20th-anniversary edition on March 20 via Sub Pop. It’ll include rare and previously unreleased tracks, like their hard-to-find 2005 Tour EP, demos, and their song from the O.C. soundtrack,“The End’s Not near.”

The first taste from the expanded album is a studio version of the fan-favorite “(Biding Time Is a) Boat To Row,” accompanied by a new music video directed by James Ayling of cape Films and starring Josh Whitehouse of daisy Jones & the Six. You can watch it now.

Producer Phil Ek, who remastered the album, says albums should feel immersive. “I want records I produce to feel like you can walk into them, to have a three-dimensional depth. The music should stay as fresh and exciting as the first time you heard it.” He believes Everything All the Time achieves that, even after two decades.

A cornerstone of 2000s indie rock, everything All the time has sold over 500,000 copies. it’s best known for the single “The Funeral,” which has racked up over 458 million streams on Spotify. The song’s influence is widespread, having been covered, sampled, and reimagined by artists like Kid Cudi, lil B, and Gryffin.

“This album made all of my dreams come true,” says Band of Horses frontman Ben Bridwell. “I’m forever grateful for the desperation that inspired it.”

The band will celebrate the anniversary with a spring tour, kicking off april 9 in Portland, Maine. Before the tour, they’ll play two shows in their hometown of Seattle: an all-ages show at the Vera Project on March 19 and a two-night stand at the Showbox on March 21 and 22.

Here is the track list for Everything All the Time 20th Anniversary Edition:

1. The First song
2. wicked Gil
3. Our Swords
4. The Funeral
5. Part One
6.The Great Salt Lake
7. Weed Party
8. I Go to the Barn Because I Like The
9. Monsters
10. St. Augustine
11. (Biding Time Is a) Boat To Row
12. Part Two
13. Coal Mine
14. Worry Song
15. The End’s Not Near
16. The Funeral (Demo Version)
17.Wicked Gil (Demo Version)
18. Our Swords (Demo Version)
19. I Go to the Barn Because I Like The / Monsters (Live at the Crocodile)

Here are Band of Horses’ tour dates:

Thu. Mar. 19 – Seattle, WA – The Vera Project
Sat. Mar. 21 – Seattle, WA – The Showbox
Sun. Mar. 22 – Seattle, WA – The Showbox
Thu.Apr. 09 – Portland,ME – State Theater
Fri. Apr. 10 – Beverly, MA – The Cabot
Sun. Apr. 12 – Huntington,NY – The Paramount
Tue. Apr. 14 – Philadelphia, PA – The Fillmore
Wed. Apr. 15 – Montclair, NJ – The Wellmont Theatre
Thu. Apr.16 – Port Chester, NY – Capitol Theatre
Sat. Apr. 18 – Baltimore,MD – Nevermore Hall
Sun. apr. 19 – Buffalo, NY – Electric City 
Tue. Apr. 21 – Pittsburgh,PA – Roxian Theatre
Wed. Apr. 22 – Detroit, MI – The Fillmore
Fri. Apr. 24 – cleveland, OH – Agora Theatre
Sat. Apr. 25 – Shipshewana, IN – Bluegate PAC
Mon.Apr. 27 – Madison, WI – The Sylvee 
Wed. Apr. 29 – Minneapolis,MN – The Fillmore
fri. May 01 – Kansas City, MO – Uptown Theatre
Sat. May 02 – Columbia, MO – Rose Park

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News

5 Albums I Can’t Live Without: The Bloody Beetroots

by Emma Walker – News Editor
written by Emma Walker – News Editor

Okay, here’s a breakdown of the text, focusing on the key facts and themes. This is essentially a list of 5 influential albums,with personal commentary from the author.

Overall Theme: The author is reflecting on albums that have profoundly shaped their life, musical tastes, and artistic growth. It’s a deeply personal and emotional list, going beyond simply liking the music to describing how it became part of their identity.

Here’s a summary of each entry:

1. Music for the Jilted Generation – the Prodigy

* Year: 1995
* Genre: Electronic/Breakbeat/Big Beat
* Impact: This album is described as constantly present in the author’s life, a foundational influence.Thay’ve seen The Prodigy live many times and consider the music “immortal.” It provided a “key” to something meaningful in their life.
* Key feelings: Reverence, enduring influence, a sense of being continually inspired.

2. Never Mind the Bollocks, Here’s the Sex Pistols – Sex Pistols

* Year: 1977
* Genre: Punk Rock
* Impact: This album is described as the “root of everything” the author is. It represents the beginning and end of punk. The author discovered it as a child and it fundamentally changed their life’s course. They have a tattoo commemorating the year of its release.
* Key Feelings: Revolutionary, formative, a defining moment, a sense of belonging/identification. There’s also a hint of being “haunted” by its intensity.

3. Endtroducing… – DJ Shadow

* Year: 1996
* Genre: Trip Hop/Breakbeat/Instrumental Hip Hop
* Impact: This album introduced the author to trip hop, breakbeats, and big beat. It inspired them to learn sampling and beat production, purchasing their first sampler and Atari computer. It’s described as a “master map” for their musical thinking.
* Key Feelings: Inspiration, discovery, a catalyst for artistic exploration, a source of ongoing learning.

4.Once Upon a Time in the West – Ennio Morricone

* Year: 2016 (compilation of 32 songs)
* Genre: Film Score/Orchestral
* Impact: This album (or rather, the collection of Morricone’s work) is described as the author’s entry point into orchestral music.It’s deeply connected to their identity and provides emotional grounding. They even made a pilgrimage to Death Valley to experience the music in a fitting environment.
* Key Feelings: Emotional resonance, a sense of belonging, a connection to their roots, a source of solace and strength.

Overall Observations:

* Eclectic Taste: The author has a diverse musical taste, spanning electronic, punk, and film scores.
* Personal Connection: Each album is linked to a specific time, place, or emotional experience in the author’s life.
* Influence on Creativity: Several of these albums directly inspired the author’s own creative pursuits (sampling, beat production).
* Strong Emotional Language: The writing is very evocative and passionate, conveying the deep impact these albums have had.

Let me know if you’d like me to analyze any specific aspect of the text in more detail!

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Entertainment

Bob Weir, Grateful Dead Co-Founder, Dies at 78

by Julia Evans – Entertainment Editor
written by Julia Evans – Entertainment Editor

Bob Weir, Guiding Force of teh​ Grateful Dead, Dies at 78

Bob weir, the iconic guitarist and vocalist who propelled the Grateful Dead⁢ to legendary status and then dedicated decades to preserving their musical legacy, passed away on January‍ 10, 2026, ​at the age of 78. While he bravely battled cancer, diagnosed just months before a celebratory run of shows, he ⁣ultimately succumbed to⁤ complications from underlying ⁣lung issues, as shared in a statement from his⁢ family.

A Founding​ Father ⁤of the Psychedelic Sound

Weir’s musical journey began in 1963, at⁢ the age of 16, when he met Jerry garcia at Dana Morgan’s Music Store in​ palo ⁢Alto, California. ⁣ That initial jam session sparked​ a partnership that ⁢would define a generation and revolutionize American music. The Grateful Dead, born from the burgeoning counterculture movement, ⁢quickly became synonymous with psychedelic exploration, improvisational performances,‌ and a devoted‌ fanbase known as “Deadheads.” According to NPR, Weir spent three decades ⁤with the Grateful Dead and continued to nurture the band’s enduring appeal for another three decades following Garcia’s death in 1995.

The​ band distinguished itself not just through musical innovation, but through a unique relationship⁣ with its ⁣audience. The Grateful Dead encouraged fans to record‍ and share their concerts, fostering a sense of community and co-creation. This commitment to its fanbase established a cult-like following, with lyrics ⁣becoming mantras​ and the iconic skull and roses logo representing a lifestyle.

Beyond Garcia: Weir’s Essential Role

While often overshadowed by the ‍charismatic presence of Jerry Garcia, Bob Weir⁣ was fundamental to the Grateful Dead’s sound. He provided the essential rhythmic foundation, his guitar work acting as a⁢ counterpoint ​to garcia’s more⁤ soaring improvisations. As The New York Times points‍ out, Weir’s ‌songwriting and rhythm guitar playing‍ played a critical role in ​shaping⁢ the band’s ‍distinctive and enduring‌ sound.

Jeff Weiss, writing⁢ for SPIN ⁢in 2021, captured Weir’s later stage ​persona: “now, he is 74-years old, singing western spirituals…wearing a ‌Stetson and a bandanna that makes him look like ‍he discovered the Comstock lode in 1859.” Weiss eloquently describes Weir as holding “the faith of ⁣the enterprise” and possessing an “integrity unimpeachable.”

continuing the Legacy: ⁣Dead & Company and Beyond

Following Garcia’s death in 1995, the ‌Grateful Dead ceased to‍ perform ⁤as a⁣ unified entity. However, Weir remained deeply committed⁢ to preserving the band’s⁤ music and spirit. In 2015, he co-founded Dead & Company alongside Mickey Hart and Bill Kreutzmann, ‍welcoming John Mayer to‍ fill Garcia’s role. Dead &⁤ company ‌toured⁤ extensively, introducing a new‌ generation to the Grateful Dead’s music while honoring its legacy.

Even as he​ faced a cancer diagnosis‍ in July 2025, Weir demonstrated a remarkable ‍resilience, returning to the stage​ for three 60th-anniversary concerts at Golden Gate Park. ​ As his family’s statement emphasizes, these performances were not farewells, but rather a testament to his unwavering⁤ dedication to music and his fans.

A Lasting Impact on American⁤ Culture

Bob Weir’s influence extends far beyond the realm of music. He embodied a⁢ spirit of exploration, community, and unwavering‌ artistic integrity. ‍ his music served as a soundtrack for a generation and continues to resonate with‌ listeners of‌ all ages. He wasn’t simply a musician; he was a cultural icon whose impact will⁣ be ⁣felt for⁢ decades⁣ to come.

Weir’s family shared that he ⁤often spoke of‍ a 300-year legacy for the Grateful Dead’s music, and his dedication ​to ensuring the ⁣endurance ‌of the songbook demonstrates a deep understanding of⁢ the⁣ lasting power of ‍art and community. His passing is a profound ⁣loss, but his music and the spirit of the Grateful Dead will undoubtedly live on through future generations of ​”Deadheads” and music lovers worldwide.

Key Takeaways

  • Bob Weir was ‍a founding member of⁢ the​ Grateful ⁢Dead and a critical force in shaping their distinctive sound.
  • He remained dedicated to preserving the band’s ‌legacy after Jerry Garcia’s death,forming Dead & Company.
  • Weir’s musical contributions and unwavering spirit have had a lasting impact on American culture.
  • Despite a recent cancer‍ diagnosis, he continued to perform and ⁢inspire fans until his passing.

Published: 2026/01/12​ 14:21:11

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Entertainment

Megan Moroney new album Cloud 9 features Ed Sheeran and Kacey Musgraves

by Julia Evans – Entertainment Editor
written by Julia Evans – Entertainment Editor

megan Moroney Announces ‘Cloud 9’ Album Featuring Ed Sheeran and Kacey Musgraves

Country artist Megan Moroney is set to release her highly anticipated album, Cloud 9, on February 20th via Sony Music Nashville/Columbia. The 15-track project boasts collaborations with music heavyweights Ed Sheeran and Kacey Musgraves, signaling a new level of artistic ambition for the rising star.

A Collaborative Album Reflecting Growth and Confidence

Moroney revealed the album details in a video shared with her fans, generating notable excitement within the country music community. Cloud 9 features contributions from Sheeran on the track “I Only Miss You” and musgraves on “Bells & Whistles,” adding diverse sonic textures to Moroney’s established sound. The album also includes previously released fan favorites like “6 Months Later” and “Lovely Things,” alongside the viral sensation “Wedding Dress,” initially shared exclusively on social media.

From Social Media Viral Hit to Album Track

The inclusion of “Wedding Dress” is especially noteworthy.The song gained immense popularity through organic sharing on platforms like TikTok, demonstrating Moroney’s ability to connect with audiences directly. Moroney took an active role in the production of both “Wedding Dress” and “Table for Two,” showcasing her growing creative control.This hands-on approach reflects a broader trend among contemporary country artists who are increasingly involved in all aspects of their music creation.

Moroney on ‘Cloud 9’: A Statement of Self-Assurance

in a recent interview with PEOPLE, Moroney described Cloud 9 as a deeply personal project. She explained that the album is “written from a outlook where my feet are really planted, and I feel really confident with where I’m at in my life and who’s around me.” She further stated that she is “the most excited” she’s been about an album release to date, hinting at a significant evolution in her artistry.

Building on Previous Success

Cloud 9 follows Moroney’s successful 2024 debut album, Am I Okay?, which achieved notable chart performance, reaching No. 9 on the Billboard 200 and No. 3 on the Country Albums chart. This established Moroney as a force to be reckoned with in the country music landscape.The success of Am I Okay? paved the way for her current 49-date international headlining tour, which has already sold over 450,000 tickets in the U.S. alone, demonstrating a rapidly expanding fanbase.

tour Dates and Ticket Data

Fans eager to experience Moroney’s music live can find tour dates and ticket information on her official website: meganmoroney.com. The tour promises to showcase the new material from Cloud 9 alongside her established hits, offering a dynamic and engaging live experience.

Key Takeaways

  • Megan Moroney’s upcoming album, Cloud 9, will be released on February 20th.
  • The album features collaborations with Ed Sheeran and Kacey Musgraves.
  • Moroney co-produced two tracks on the album, demonstrating her creative control.
  • Cloud 9 reflects a period of personal growth and confidence for the artist.
  • Moroney is currently on a 49-date international headlining tour.

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Entertainment

Morrissey Releases New Album Make-Up Is a Lie, Announces Tour Dates

by Julia Evans – Entertainment Editor
written by Julia Evans – Entertainment Editor

Morrissey’s Return: New Album “Make-Up Is a Lie” Signals a Resurgence for the Iconic Singer

After a period marked by both‍ creative endeavors and public controversy, Morrissey is poised to⁣ release his fourteenth solo studio album, Make-Up Is a Lie, on February 27th through Sire Records. This announcement, coupled with an extensive ⁣tour schedule, marks a meaningful moment for fans ‌of the ‌legendary artist and the option⁤ music ‌landscape as ‍a whole.

A New Album Rooted in History

The forthcoming album, Make-Up Is a Lie, represents a return ‍to ​familiar ground for Morrissey. Sire Records holds a special place in his career,having originally signed The ⁣Smiths in the U.S. during the 1980s and serving as his label for ⁤solo ‍work between 1988 and 1995. The title track has already been released,offering a glimpse into the album’s sonic direction,co-written with​ keyboardist Camila Gray and produced by ‍Joe Chiccarelli in the south of ⁣France. Fans​ were given early previews of ⁢tracks like “Notre-Dame” and “The Night Pop‌ Dropped”‍ during previous live performances. A notable inclusion is a‍ cover of roxy Music’s “Amazona,” a testament to Morrissey’s ‌longstanding admiration for Bryan Ferry and the band [[2]].

Collaborators and Musical Landscape

Make-Up Is a Lie features a familiar ensemble of​ musicians backing Morrissey, including jesse Tobias, ‍camila Gray, carmen Vandenberg, Juan Galeano, Alain Whyte,​ Gustavo Manzur, and Brendan Buckley ​ [[3]].The new record follows 2020’s I Am Not a Dog on a Chain, which reached No. 3​ on the UK charts despite⁤ not charting on ⁢the U.S. Billboard 200.

The Shadow of “Bonfire of Teenagers”

The path to “Make-Up​ Is a Lie” has been complex. ​ Morrissey completed an earlier album, Bonfire of Teenagers, produced by Andrew Watt, but its release has been repeatedly stalled. The album’s title‌ track directly ‍addresses the 2017 Manchester Arena bombing following an Ariana Grande concert, a deeply personal tragedy for Morrissey. The song sparked controversy with lyrics perceived as critical of the public response and those who participated in subsequent charity​ events. Further complicating matters, Miley ‌Cyrus reportedly requested her vocal contribution be removed from the song “I Am Veronica.”

Morrissey has‍ remained characteristically guarded about ‌the reasons for the album’s delay, attributing it not to his political⁤ views but to a⁤ broader issue within​ the ⁤music ‌industry [[1]]. He⁤ articulated his frustration on his website, claiming “The connection between the music industry and Cancel Vultures is that they both agree that their main job ⁣is⁢ to stop singers and bands from saying anything significant”

Tour Dates and Live Performances

Despite past cancellations‌ – including two shows in California earlier this month – Morrissey is actively returning to ⁢the stage. ⁣He kicked off a run of shows on January 10th in ⁤San Antonio, Texas, and is preparing for a European ⁣tour beginning February 13th in Aarhus, Denmark. A highlight of⁢ the tour is a performance on February 28th at London’s O2 Arena, marking his first appearance at the 20,000-capacity venue as November 2014.

Tracklist: Make-Up Is a Lie

  • “You’re Right, It’s Time”
  • “Make-Up Is a lie”
  • “Notre-Dame”
  • “Amazona”
  • “Headache”
  • “Boulevard”
  • “zoom Zoom the Little Boy”
  • “The Night Pop Dropped”
  • “Kerching Kerching”
  • “Lester Bangs”
  • “Many Icebergs Ago”
  • “The Monsters of Pig Alley”

Morrissey’s Tour Dates

  • Jan 10 San Antonio, TX – Boeing Center at Tech Port
  • Jan 13 Oklahoma‍ City, OK​ – The Criterion
  • Jan 15 St. ⁤Louis, MO – The Factory
  • jan 17​ Atlanta, GA –⁢ The Fox Theater
  • Jan 20 St. Petersburg, FL – Duke Energy Center for the ⁣arts / Mahaffey Theater
  • Jan 22 Hollywood, FL – Hard ⁢Rock Live
  • Jan 25 La Romana, Dominican Republic‌ – Altos de Chavón
  • Feb 13 aarhus – Scandinavian Congress Center
  • Feb 15 hamburg – Sporthalle Hamburg
  • Feb 17 Frankfurt – Jahrhunderthalle
  • Feb 20 Esch-Sur-Alzette – Rockhal
  • Feb 24 Rotterdam – De Doelen
  • Feb 28 London –‍ The O2
  • Mar 04 Lille – Zenith Des Lille
  • Mar 07 Zurich – THE HALL
  • Mar 09 Milan – Fabrique
  • mar 12 Valencia – Palau Des Les ‍Arts
  • Mar 14 Zaragoza – ⁢Auditorio Des Zaragoza
  • Mar 16 Seville – Cartuja⁣ Center

The release of Make-Up​ Is a Lie and the accompanying tour represent a crucial moment in Morrissey’s ⁤career. Whether it will signal a creative resurgence or fall into the pattern of controversy​ that has characterized his recent years remains to be seen. Though, for a dedicated fanbase ⁣and music enthusiasts alike, the return of this iconic and frequently enough enigmatic artist is undeniably welcome.

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Entertainment

Exotica’s Modern Revival: Tiki Music’s Return

by Julia Evans – Entertainment Editor
written by Julia Evans – Entertainment Editor

One of the most intriguing and unexpected current-day musical phenomena is the popularity of tiki, or exotica, a style of music dating back to the mid-20th century. Exotica is quintessentially American — the perfect soundtrack for cocktail hour.

In its original quirky run,exotica’s leading lights included Martin denny,Arthur Lyman,and Juan García Esquivel. The music was varied,but signature elements included bird calls,prominent use of vibraphone,and excited application of wide stereo panning.the classics include Les Baxter’s 1952 Ritual of the Savage and Denny’s monumental Quiet Village from 1959.

Juan García esquivel. (Photo by Michael Ochs Archives via Getty images)

by the time of the British Invasion, exotica’s time had come and gone. But enterprising archivists breathed life back into the form,with a heavy dose of irony,in the ’90s. Sub Pop signed Combustible Edison, an arch group named after a classic cocktail — and the exotica revival was in full, if short-lived, swing.

Exotica’s Modern Revival: Tiki Music’s Return
I, Swinger, the 1994 debut Long Player of Combustible Edison.

As another generation of music lovers came of age, exotica was rediscovered again. Groups like the Waitiki 7 and Tikiyaki Orchestra leveraged the cultural grab-bag nature of exotica and the undeniably fun aesthetics surrounding it. Today, groups thrive emphasizing both the pleasures of hi-fidelity recordings and the thrill of live performance.

Hawaii-born Randy Wong leads the Waitiki 7, which he and Abe Lagrimas, Jr., founded in Boston more than two decades ago “to interpret a pop sound that we came to know as part of the history of music in Hawai’i,” he says. Their first regular gig was at a newly-opened tiki bar. “We weren’t sure if exotica was going to be popular in New England,” he admits. “But it was.” 

Inspired by the Tiki Oasis mastermind Otto Von Stroheim, Jim Bacchi put the Tikiyaki Orchestra together in 2004, debuting with 2007’s StereoExotique, an intoxicating musical cocktail. Four more albums and a DVD followed. 

Wong says his group plays creative interpretations of “hapa haole” (half Hawaiian, half foreign) music with jazz elements as well as original compositions in that exotic style. Waitiki 7’s pianist Zaccai Curtis brings his Afro-Cuban heritage, and percussionist Augie Lopaka Colón, Jr., is the son of a legendary Martin Denny sideman. In 2025, the Waitiki 7 released a pair of albums; one live, one studio. Both balance originality with the enduring spirit of classic exotica. 

Zaccai Curtis. (Photo by Jack Vartoogian via Getty Images)

Wong believes he knows what lies at the heart of the music’s lasting allure.“It came out of the post-World War II travel phenomenon,” he explains. “Everyone wanted to escape.” 

Jim Bacchi concurs: “Tiki offers the ultimate form of escapism.”

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