Oxford University Posthumously Honours Mฤori โขScholar Mฤkereti Papakura, A Century After Her Studies
Oxford, UK โ – In a moving
Oxford, UK โ – In a moving
WELLINGTON, new Zealand – Documents released under the Official Information Act reveal Education Minister Erica Stanford directed officials to reduce the inclusion of Mฤori words in early reading books, specifically the “Ready to Read” series, to better align with phonics-based instruction. the move, initially proposed in late 2023, sparked internal debate within the Ministry of Education regarding potential public and media backlash.
The “Ready to Read” series, designed for beginning readers, has historically included a limited number of Mฤori words. Ministry papers show 26 of the 75 books in the series contained up to three Mฤori words each, while one book, ‘At the Marae’, featured six. The series was specifically designed to teach English sound-letter correspondences, and officials advised schools to treat Mฤori words within the books as “told” words, not to be decoded phonetically.
Stanford’s concern, outlined in a handwritten note, centered on the timing of introducing te reo Mฤori. She advocated for it’s introduction *after* children had completed the “decodable” book phase, typically at the end of their first year or beginning of their second year of school. She specifically requested a section on te reo Mฤori vowel sounds and pronunciation be added to the English curriculum to prepare students for encountering Mฤori words in school journals.
Internal discussions also revealed a divergence of opinion regarding the inclusion of English words in te reo Mฤori decodable books. Stanford noted feedback from kura leaders who opposed the inclusion of English words in early te reo learning materials,suggesting consistency in keeping early Year 1 decodable books monolingual,with exceptions only for names.
Ministry officials cautioned that removing Mฤori words from the “Ready to Read” series, beyond character names, could generate negative public reaction and media attention, particularly if existing books were recalled. The documents indicate a concern about potential pushback from stakeholders.
Stanford responded by clarifying her intention was limited to Year 1 decodable books focused on teaching English, aligning with the approach taken in te reo Mฤori decodable resources. She reiterated that te reo Mฤori would be introduced instantly after the completion of decodable books, typically transitioning students to school journals at the end of Year 1 or early Year 2.
The “Ready to Read” series, launched in 1995, is a cornerstone of early literacy instruction in New Zealand schools. The debate highlights ongoing discussions about the role of te reo Mฤori in the national curriculum and the balance between phonics-based instruction and culturally responsive pedagogy. The Ministry of Education has not yet publicly announced any changes to the “Ready to Read” series as of February 29, 2024.
Thirty-year-old **Shenaragh Nemani** is proving that physical limitations are no barrier to artistic expression, captivating audiences worldwide with her vibrant Latin dance performances. Despite living with cerebral palsy, quadriplegia, and scoliosis, and communicating via computer, Nemani’s energy and passion are infectious.
Nemani’s dance journey began around age seven when her uncle encouraged her to join a group dance. Though unable to move physically, a powerful song sparked an involuntary movement in her hands, igniting a lifelong love for dance.
Her unique talent was later discovered by legendary salsa dancer **Albert Torres**. He invited her to perform at the 2016 World Latin Dance Cup in Miami, creating a special “Limitless” division for her. With community support to fund her travel, Nemani triumphed, winning first place and winning over the audience and judges.
โI just started crying because I was like, โoh my god, they love her!โโ
โCheryl Nemani, Shenaragh’s Mother
Nemani has since graced stages in Los Angeles and New York and was recently preparing for a performance in Puerto Rico. She expressed her excitement, noting, “Iโm always excited when I get the chance to perform, wherever it may be. But going overseas is a plus โ the guys are so hot and they always come up to me.”
Nemani’s mother, **Cheryl**, described the significant financial and emotional toll of supporting her daughter’s passion. The family relies on fundraising to cover the costs associated with Nemani’s extensive care and performance opportunities. Cheryl shared her pride in seeing her daughter shine on stage, stating, “She dances on stage in the same space as world champions. So I love to see everyoneโs faces when they see her go on cause sheโs in this wheelchair and, you know, you want to see her, honestly, her hands are gone, her legs are gone and sheโs loving it.”
The family faces ongoing challenges, including frequent hospital visits, numerous surgeries, and the complexities of navigating disability benefits. Cheryl recounted the frustrating need to constantly re-verify Nemani’s condition, even when medical professionals confirm her limitations.
โI literally walk her in the office and go, โYep, she still canโt walk, she still canโt do anything for herselfโ. I literally have to do that. The doctors and the specialists and the nurses write letters and say โshe will never be able to do thisโ and it doesnโt matter.โ
โCheryl Nemani, Shenaragh’s Mother
Nemani herself is candid about the difficulties of living with cerebral palsy, calling it “a pain the a***.” She expressed frustration over physical limitations and the sadness of watching others participate in activities she cannot. However, she also sees a positive aspect: “the good side to it is me being able to educate others just by being me.”

Beyond dance, Nemani is pursuing a business degree at a local polytechnic and studying traditional Mฤori healing practices with her mother. Despite facing employment discrimination, where potential employers often dismiss her, Nemani remains determined.
According to a 2023 report by the World Health Organization, an estimated 1.3 billion people worldwide live with a significant disability, yet societal barriers often prevent full inclusion and participation in economic and social life (Source: World Health Organization).

Nemani’s parents provide unwavering support through periods of depression, driven by a desire to help her achieve a fulfilling life. Nemani’s message to the public is clear: “I may be in a chair but please donโt judge meโฆ I understand most things you say, and I can respond but you just need to have a little patience [as] I put my sentence together. Iโm happy-go-lucky but also sensitive. Say hi, donโt be shy.”
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A United Nations expert has called on the New Zealand government to adhere to it’s commitments regarding the rights of indigenous peoples, highlighting the nation’s participation in international human rights frameworks.
Quote pulled from UN Special Rapporteur Albert K. Barume’s letter to New Zealand government (Source: 1News)
In response to questions about the United Nations’ capacity to hold Aotearoa accountable for indigenous rights, Takitimu emphasized that New Zealand’s adherence to the “international framework” and its past reliance on it for legitimacy necessitate accepting both support and criticism.
takitimu stated, “Indigenous peoples have always utilised that framework, and so has New Zealand as a state party, and so that, again, comes back to the very foundations of the United Nations to set some sort of global standards, and they have, in regards to indigenous rights and human rights, and they are holding the New Zealand Government to account for that.That’s exactly what they are set up to do.”
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A powerful new documentary, “The Stolen Children of Aotearoa,” brings to light the profound suffering of survivors of New Zealand’s state care institutions. Journalist Aaron Smale, who has dedicated over a decade to this issue, reflects on the immense challenge of capturing such a vast and painful history on film.
The film tackles the harrowing reality that over 200,000 children experienced abuse while in state custody. This systemic abuse is intricately linked to colonisation, Mฤori urbanisation, increased incarceration rates, gang involvement, and a sustained government effort to conceal these events.
Aaron Smale acknowledges the near impossibility of conveying the full scope of this trauma. “The story is simply too big to be conveyed in any form,” he stated.
Despite the enormity of the task, Smale and the team at Awa Films have created a nearly two-hour documentary featuring over 20 survivors, alongside advocates and experts.
A new documentary tells of a shameful chapter in our history – one of systemic abuse in state care.(Source: Supplied)
Smale, primarily a print journalist and photographer, found that visual and auditory storytelling offered a unique power. His previous work, including extensive writing and a podcast on the Lake Alice adolescent unit, highlighted the limitations of conveying such profound experiences through text alone.

The filmmaking process was described as arduous, with the sheer volume of compelling survivor testimonies presenting a significant challenge. “It was agonising making decisions about what to put in which inevitably means a decision about what to leave out,” Smale explained.
Each story shared represents thousands of others, many of whom did not survive. The documentary honours those who have since passed, including at least two individuals featured on screen.

A critical ethical consideration was to present the horrific accounts of abuse without sensationalizing them, avoiding what Smale termed “trauma porn.” The aim was to convey the gravity of the experiences while respecting the humanity of the survivors.
The film includes voices from Mฤori, Pasifika, and Pฤkehฤ communities, highlighting that while Mฤori were disproportionately targeted, working-class families across ethnicities also suffered under these policies.
Smale questions why New Zealand’s reckoning with state abuse is occurring so much later and with less global recognition compared to similar historical events in Canada and Australia. He also points to a disconnect in public discourse regarding the link between childhood abuse and later societal issues like crime and incarceration.
In 2022, the Abuse in Care Royal Commission of Inquiry reported that approximately 150,000 children entered state care between 1950 and 2019, with significant numbers experiencing abuse. The final report highlighted systemic failures and ongoing harm.

The journalist criticizes the historical silencing of victims by the Crown, suggesting it was a tactic to avoid significant legal and financial liability. He emphasizes that the cover-up, involving lawyers, bureaucrats, and politicians, is as troubling as the abuse itself.

A particularly poignant moment at a festival screening involved the appearance of the late Moana Jackson, evoking a collective sigh of recognition and affection from the audience. The documentary is dedicated to his memory.
Smale recalls Moana Jackson‘s observation: โNever mind tikanga. The Crown canโt even obey its own laws.โ
He urges viewers to consider this perspective when reflecting on the film and political discourse surrounding justice and accountability.

Smale emphasizes that a primary goal of his work, including this documentary, is to grant survivors the dignity of being heard. For years, their voices were silenced, their accounts dismissed, even when the Crown possessed evidence corroborating their experiences.
The survivors featured are described as both dignified and heroic. Smale hopes the documentary, despite its inherent limitations, serves as a fitting tribute to them and the countless others they represent.
Watch “The Stolen Children of Aotearoa” on TVNZ+.
Aiming to fill the seat vacated by the late **Takutai Tarsh Kemp**, former television news presenter **Oriini Kaipara** has announced her bid to become Te Pฤti Mฤori’s candidate in the upcoming Tฤmaki Makaurau by-election, setting the stage for a potentially competitive contest.
**Kaipara**, previously a presenter for Newshub, revealed her intentions through social media. The announcement signals the start of the selection process within Te Pฤti Mฤori to determine their candidate for the Mฤori electorate.
Te Pฤti Mฤori has initiated the selection process, which includes expressions of interest closing this Wednesday, and a selection hui scheduled for this Thursday.
โKua eke te wฤ. Itโs time,โ
**Kaipara** wrote in an Instagram post.
A date for the by-election to fill the seat has not yet been determined.
Several other potential candidates are expected to compete for Te Pฤti Mฤori’s nomination in the upcoming by-election.
Meanwhile, Labour MP and former Tฤmaki Makaurau seat holder **Peeni Henare** has yet to announce whether he will contend for the seat on behalf of his party.
In the last election, **Kemp** narrowly defeated **Henare** following a recount of votes.
**Kaipara** (Tลซhoe, Ngฤti Awa, Tลซwharetoa, Ngฤti Rangitihi) brings over two decades of broadcasting experience, with stints at Whakaata Mฤori and TVNZ. She gained prominence in 2019 as the first person with moko kauae to present a mainstream news bulletin.
After leaving the media in 2023, according to her LinkedIn profile, **Kaipara** became the NZ Olympic Committee’s Pouwhiringa Mฤori culture lead and also worked as a public speaker.
If a Te Pฤti Mฤori candidate secures the win in the by-election, the party will maintain its current representation of six MPs.
However, should **Henare**โalready a list MPโwin the seat for Labour, he would transition to an electorate MP, enabling his party to bring in **Georgie Dansey** from their list, increasing Labour’s seats from 34 to 35.
According to the Electoral Commission, voter turnout in Mฤori electorates was 65.2% in the 2023 general election, compared to 82.4% in general electorates Elections NZ.
In the event of another party winning the race, the overall number of MPs would remain unchanged.
Regardless of the outcome, the total number of MPs in Parliament will remain at 123 due to the overhang.