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There’s a meter within the roofless lounge and the workplace.  In crowded Tokyo, he who imagines builds |  At the moment.cz
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There’s a meter within the roofless lounge and the workplace. In crowded Tokyo, he who imagines builds | At the moment.cz

by Chief editor of world-today-news.com June 8, 2024
written by Chief editor of world-today-news.com

The architect and artist Zajirogh Takahashi lives at the moment along with his spouse and three youngsters on fifty-seven sq. meters within the Suginami-ku space of ​​Tokyo. The home has every little thing a household wants – eating room, kitchen, space for storing, sanitary services, examine, bed room and likewise a front room with a gap within the ceiling. Nevertheless it does not rain fairly often inside, when there are clouds, they drag over the opening of the sail like on a ship.

“A small home is similar to a ship. In each circumstances, you reside in a small house. Additionally, our household likes tenting, so we considered the home as sleeping exterior,” says Zajirogh on the present by no means too little, when he’s in control of the sitting room upstairs, he pulls down a tarpaulin from the partitions, set on the spars, like a sailboat. “I have been dreaming about this since I used to be a child,” he laughs.

Not solely did Takahashi design the opening within the roof out of nostalgia for ships, it was additionally a approach to get round strict building rules. In Tokyo, the dimensions of single-family homes could not exceed the given limits, however the sq. meters are solely counted the place the roof covers them. The “small home” household, which from the surface appears like a home, is drawn in a single stroke, so an inside block is inserted into the plans as a substitute of a front room. The remainder of the bottom flooring is pitched and has sliding doorways.

“The ground on the bottom flooring is product of concrete, which is sweet for out of doors and indoor areas. There are channels on the edges that permit water to empty simply if it rains in the lounge,” the house owner stated of the precautions that include dwelling beneath the open sky.

Adjoining to the interior block is the eating room, storage areas and sanitary services. “Issues we do not need to get moist are hidden on the edges behind sliding glass doorways. We’ve furnishings in the lounge that may be packed away rapidly when it rains and it does not matter if it will get moist unexpectedly,” he provides.

When a household is aware of there shall be rain, they cowl their dwelling yard with a water-resistant tarpaulin tied with ropes. Take a look at a tiny home like no different.

June 8, 2024 0 comments
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Bilbao, a Basque city full of culture, art and football in Spain
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Bilbao, a Basque city full of culture, art and football in Spain

by Chief editor of world-today-news.com May 1, 2024
written by Chief editor of world-today-news.com

In the 1980s, Bilbao was a complete disaster. It was not a city that anyone wanted to visit. An unbelievably high unemployment rate, street violence, drug sales on every corner and to top it all the Basque terrorist group ETA, which had its unofficial headquarters here. Today it is the main cultural center of northern Spain and the place for people who can no longer afford to live in Madrid or Barcelona.

“Maybe they’re still hungry,” says our leader Iñaki when he learns that Bilbao is our next stop. Local residents had great reason to celebrate. After 40 years, Athletic Bilbao football club won the Spanish Cup, known as the Copa del Rey. The performances were memorable. On April 11, thousands of fans flocked to the banks of the Nervión River, which separates Bilbao, to watch the football players sail on a boat called La Gabarra, according to tradition.

Even about a week after the celebration, flags with white and red stripes are hanging on the houses of the largest city in the Basque Country. Football means a lot more here than here. It is a symbol of the pride that the Basque people have embedded deep in their DNA.

“Bilbao Victory”

Football began to be played in this area when the English extracted iron ore in the mid-19th century and the industrial revolution that followed. Until then, Bilbao was alive and prosperous thanks to sea trade, and steel mills and factories began to appear in the city. Ships, tools, building materials were produced there, and the city resembled our Ostrava with its industrial base.

Later, mining declined and shipbuilding companies found cheaper locations. They left their destruction in the form of broken factories, jobless families, a polluted environment and a city that was almost in ruins. But at the beginning of the 90s, thanks to the bright people in the local administration, miracles began to happen. The so-called “Bilbao effect”, ie a phenomenon that occurs when a city undergoes a major urban change, has emerged. Bilbao breathed new life and experienced economic growth thanks to the construction of iconic architecture.

In 1992, a public company called Bilbao Ría 2000 was created, which set itself the goal of rehabilitating the city’s dilapidated industrial areas. On the site of shipyards, docks and factories, a building covered with titanium plates was created, which shone in the wider environment. The museum, which was founded in 1997, was designed by the Canadian-American architect Frank Gehry, who participated in the design of the Dance House in Prague.

The city celebrated success with the Guggenheim Museum. So his management invited other architects to create a modern and original image of Bilbao, so the Euskalduna conference center, subway entrances and stations by Norman Foster, towers by the Japanese architect Arata Isozaki , who wanted to design a city gate for the 21st century , or the white Zubizuri Bridge by Santiago Calatrava, may not build anything in this Biscayan city. Although his bridge looks impressive, it does not suit the local climate, which is a bit more rainy.

“Several people broke their legs here on the bridge, which has a glass floor. The city asked the architect to do something about it, but he walked away from it. It was fixed by putting rubber mats Later, when he attached another piece to the bridge to connect the two parts, Calatrava sued the city for damaging his work.

From the height of the green hills

Like any city, Bilbao must be seen from above. Even if you can not see its beginning and end, which flows into the sea. A comfortable and at the same time unconventional trip to one of the local green hills is possible thanks to the Artxanda cable car. The cabin has been carrying people on the steep trail since 1915.

Mount Artxanda is located about 300 meters above sea level and is one of the favorite views of the locals. From above, the images of Bilbao are even more prominent. The arch of the La Salve bridge, designed by Daniel Buren, or the spectacular facade of the new San Mamés stadium, whose design won the award for the best sports building in the world at the World Architecture Festival 2015, shines like X red.

“Bilbao without San Mamés would be like Paris without the Eiffel Tower,” said Luis Fernández, a former French player and coach who coached Athletic Club. However, the comparison with the “Eiffel” is hide a little, because this city can also boast that a student of the famous engineer Eiffel designed the Biscay Bridge there. It is located at the mouth of the Nervión River, where it connects the neighborhoods of Portugalete and Las Arenas in the sub-district the cities of Bilbao.

Football as religion

But back to the San Mamés stadium, nicknamed “the cathedral”. There is no doubt that football is a second religion in Spain, but it seems to be doubly true here. In addition, the stadium stands on the site of an old chapel dedicated to Saint Mammes, which was said to have been thrown to the lions, which explains why the players of the Athletic team are mentioned Bilbao as “leones” and they also have this. animal as their mascot.

There is one stuffed lion in a wonderful museum on the ground floor of the stadium. The museum, which is a tribute to football and its fans, is likely to interest even those who have no knowledge of this sport. It is enough to see an old leather ball and gloves and find out that the history of the local football club dates back to 1898. And not only that – thanks to a tour of the museum and the stadium, you realize that “going to football” doesn’t have to mean just beer, sausages and swearing.

In Bilbao, football is a social event with whole families present and many young women participate. And when the cup is won, thousands of enthusiastic people flood the streets. The titanium plaques at the Guggenheim Museum will then feature a sea of ​​red and white fans dressed in the winning club’s jersey.

May 1, 2024 0 comments
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Instead of a cottage, a box on chicken feet.  The new Max seat has a living room, a toilet and a bathroom
News

Instead of a cottage, a box on chicken feet. The new Max seat has a living room, a toilet and a bathroom

by Chief editor of world-today-news.com March 29, 2024
written by Chief editor of world-today-news.com

When Ladislav Trpák presented his first habitable property a few years ago, Czech glamping was already on the rise. People have discovered that by renting a piece of land somewhere in the “wilderness” and a relatively small initial investment in a mini-house with a bed, they can easily earn extra income on the weekends. Demand and the market are constantly evolving, so even the new Max seat is slightly larger and more comfortable.

Maxík is a posed, which is now on display in Radotín near Prague. Ladislav Trpák and his team working under the brand Bayaya they let people interested in alternative housing see it. It is already the fourth type of seating that they have introduced to the market, which differs in size and equipment.

“Demand led us to this. Our customers are mainly those who offer experiential accommodation, and since they usually have their own holiday land, they are not so concerned about dimensions. They want to give their guests more comfort and give them the opportunity to stay with the whole family. Posed Max is a type accommodation, which is actually still on a relatively small floor plan, but it sleeps four people comfortably,” says Trpák.

The stilt house is just over forty square meters and, compared to previous versions, it also boasts a large terrace, its own toilet and bathroom. “It can be connected to utility networks, but it can also work with a separate power source. We designed the first perches with the idea that you can also build them on a plot of land in a forest or in a field, this type is more for those interested who have their own land. It can also be placed in the garden of the cottage, where it can serve as a guest room,” explains the author of the Bayaya brand.

The team delivers the perch already assembled and then fastens it to the owners on the property using screws. The team is able to produce the construction for 1.2 million crowns without tax in about four hundred hours of pure time. “The building is made of modern construction material, i.e. of glued CLT panels. It is expensive, but it is the best quality wood on the market. We believe that most of the seats will be in the world longer than us,” adds Trpák.

Take a look inside the new generation possesion with us.

March 29, 2024 0 comments
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Crafting Plate Armor: Ancient Techniques and Modern Challenges with Petr Brožek
Technology

Crafting Plate Armor: Ancient Techniques and Modern Challenges with Petr Brožek

by Chief editor of world-today-news.com March 11, 2024
written by Chief editor of world-today-news.com

“One more buckle, straps and it’s done, you can go to battle,” says Petr Brožek, showing the roughly “exploded” and unsightly shape of the tin hat. In a workshop near Český Brod, he restores and manufactures various parts of plate armor. It also uses original ancient techniques. And despite modern times, today this craft is more demanding than it was centuries ago.

Petr Brožek became attached to knights and history already in his youth, in the nineties he worked with swordsmen. His friend from the group was already making his own armor in an apartment on Prague’s Žižkov – of course, without a hot furnace – and he taught Petr Brožek how to forge sheet metal into the shape of a bowl. The former CTU student first tried “banging” the armor in his father’s garage. At that time, he made it for himself and friends, but after obtaining an engineering degree, he started full-time in the plate-making trade.

At first glance, the unsightly shape of the tin hat is actually almost finished. Just attach the buckles and straps. | Photo: Jakub Plíhal

“Let’s go bang then, shall we? Alright,” he says without waiting for an answer, already lighting the blacksmith’s furnace inside his workshop. As he warms up, the smith explains how long it takes to forge the armor. “Maybe this tin hat will explode in a day. He takes in his hand an at first glance unsightly piece of sheet metal. It’s hard to believe that it’s almost finished and functional. “Seriously, all you have to do is attach the buckles, straps and hooray for battle,” says Brožek.

However, the production of the back plate of the cuirass (protective hull cover, editor’s note) takes two days. “And we’re only talking about forging the shape. This makes up only fifteen percent of the total time required to produce this part of the armor,” he reminds. Before long, they say, we will calculate how many professions were needed in the past for the production of sheet armor.

Meanwhile, heat begins to radiate from the oven. “The dark red color of the fire is around seven hundred degrees, while the temperatures required for forging range from nine hundred to about thirteen hundred degrees Celsius, when the color is already light yellow. We are currently going to nine hundred, the heat is already orange.”

After a while, he puts a piece of sheet metal into the oven, which in a short time begins to acquire a light color. “Sometimes someone thinks that it is also possible to weld armor. In blacksmithing, yes, but this applies to thick material. In the case of two-millimeter sheet metal, this is not possible. For welding, you need to have an upper forging limit so that the material is riveted together. However, the sheet metal will never last until I take it out of the furnace, put it on the anvil, and start pounding on it, it will have cooled down a long time. You just can’t weld it that way. But it’s very rare for armor to happen.” explains Brožek.

People often confuse armor with armor

Platnéř shows the basic principle of helmet production, a technique called hollowing. He places the tin on a wooden block that has a hole hollowed out in it. He bangs on the tin with a hammer around the perimeter, but in a few moments he has to reheat it in the furnace. Gradually, however, with loud pounding, the material is deepened into the shape of a bowl, the center itself begins to deepen with a spiral movement to the end. At the same time, he must be careful not to tear the thin sheet with a hammer.

“Some of my colleagues have a hundred different hammers. I’ve found that a couple of them are enough for me, but this one is the most popular because every part of it has a purpose. I’ve also come up with a special method of making armor – it’s all about pounding on it and I pound until it’s done,” he says sarcastically. “A layman sees only a simple banging, but in reality each blow has its own idea and is guided as the craftsman intends,” explains Petr Brožek, adding that plate makers also have their own guild in the Czech Republic. Even with Brožek, there are six masters in it. And although Petr Brožek is a recluse, he does not reject apprentices.

“What if the sheet size doesn’t fit?” I’m asking. “It doesn’t matter at all, it happens to everyone and it’s common on historical armor. It’s important for the layman to know that it’s not welded in a silversmith’s shop.” As Brožek adds, in this case an extra sheet is added and the two pieces are riveted together. After all, riveting seems like a universal solution for many difficulties associated with production.

Petr Brožek devoted himself to his craft even a whole publication called Platnéřství, which he wrote with his colleague Jan Syka. In the book, they focus, among other things, on the historical development and on the production of individual parts of plate armor using original techniques.

Record player Petr Brožek in his workshop. | Photo: Jakub Plíhal

“Be careful, it’s not armor,” laughs Petr Brožek, when he draws attention to the frequent mistake in terminology. “Although we cannot reverse language development, it is properly called armor, in this case plate armor,” he explains. According to Brožek, Brníř produces ring armor.

Despite the conveniences of modern times, armor still takes as long to make as it did centuries ago. “Often it takes even longer. I have to deal with things that were once done by individual craftsmen. To make a piece of armor, a platemaker, a harness maker, a buckler, a sander (grinder) and a passier (decorator) were needed. Other craftsmen could also work on Renaissance armor – goldsmiths, engravers, chiselers and etchers. Of course I have to be able to do it all myself.”

He also got his hands on a helmet for restoration Filippa Negroliho, one of the most famous record players in history. It was a burgonet with a hammered lion pattern. According to Petr Brožek, antique motifs were typical for the half of the 16th century in Italy.

The golden age of platemaking

If Petr Brožek had to name what he likes to make the most, it would clearly be helmets. On the contrary, it is used the most in the production of plate shoes, so-called sabatons. “The shoes must go together with the calf, but this is terribly difficult, because the movement when the shoe meets the shaving plate on the instep pushes the person in question or causes them to get stuck. In the past, they obviously did not deal with this, and in thirty years of practice I have not yet come up with an ideal solution ,” explains.

Next to the punk, one collectible armor also shines. “I am currently restoring this for a client from Finland. Half of my customers are collectors, the rest are museums and other institutions,” he explains, showing individual parts of the armor from the end of the 15th century. “This German glove is made to fit perfectly on the hand, which is why it seems so small. The Germans at this time had a passion for armor, it basically symbolized a second skin, that’s why it fit so close to the body.” In terms of aesthetics, anatomy and function, Brožek considers German Gothic at the end of the 15th century to be the golden age of plate making.

Of course, Petr Brožek also observes how armor looks in films. He considers the one from the Hussite trilogy Jan Hus, Jan Žižka and Against all from the 1950s by director Otakar Vávra to be successful.

“Today’s films like Žižka need the cheapest possible equipment. You can’t say that such sheets are sloppy, it’s based on the assignment. Even I can spend a day instead of a month on some parts, but I can’t do it. But I have nothing against serial production, after all, my I’ve had clients for a long time, so I don’t care,” he says. “I only have a problem with the fact that someone passes off a film as historically accurate and it is full of flaws,” adds the player.

He also enjoys the fantasy genre very much. “No one can fault the creators. Even if the armor looks very modified, it often comes from history, because even fantasy is limited by what we can invent.”

2024-03-11 10:55:49
#Making #armor #today #harder #centuries #smith #Currently.cz

March 11, 2024 0 comments
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A Czech couple lives in a cave and works for a local farmer.  “We are more ourselves in La Palma,” they say
News

A Czech couple lives in a cave and works for a local farmer. “We are more ourselves in La Palma,” they say

by Chief editor of world-today-news.com March 10, 2024
written by Chief editor of world-today-news.com

The island of La Palma is nicknamed the madhouse without a roof. Ilona Hověžáková, who lives in a cave with her partner Jonáš Mazánek, says that they are definitely a little crazy. “Rather, we realized that we don’t want to be hamsters in a wheel, working just to pay the rent,” adds Jonáš. They have been living communally for several years on the land of a Canarian farmer and doctor, and they want to make a documentary about local life.

“When I was about eighteen, I began to realize that I didn’t want to live the way the majority of the Czech population lives. However, the biggest turning point was an illness a few years ago, when I suffered from an elevated temperature for several months for unknown reasons. The doctors injected me with antibiotics, which she only made everything worse,” describes 32-year-old Ilona, ​​who, among other things, made a living as a photographer or production worker in a gallery in Brno.

“That’s when I understood that if I want to heal, I can’t just solve the current condition, but look for the cause,” thinks the woman, who has a tanned face even in January. “That led me to holistic medicine. Thanks to it, I automatically started to think differently about my priorities, my body and my lifestyle,” she recalls of the moment that changed her way of thinking. “I was stressed, I was always chasing something. I realized that if I want to feel good, I have to change this,” says Ilona, ​​who got rid of the fever and inflammation after a few weeks thanks to a change in diet and Chinese medicine.

I don’t want to be a hamster in a wheel

“Thanks to its climate, La Palma enables life with lower demands on ordinary life,” says Jonáš. | Photo: Klára Elšíková

She came to La Palma for the first time four years ago on vacation, during which she met Jonáš, who had been living on the island for three years at the time, thanks to mutual acquaintances. He moved to the sunny Canary Island himself after a 12-year stay in Ireland. “I thought to myself that the system we live in makes little sense. It’s the kind of game and manipulation that most people don’t see because they don’t want to see it,” he describes on the bed in the cave he and Ilona share.

“I’ve evolved to the point that I don’t want to live like a hamster in a wheel, earning my social security five days a week and the rest lying on the couch watching TV in a block of flats, and La Palma, thanks to its climate, makes it possible to live with lower financial demands on ordinary life,” describes 43-year-old Jonáš.

“There are a lot of caves on the island that have been transformed into cozy full-fledged homes. This is how people used to live quite normally, because thanks to the warm climate in some parts of the island you don’t need to heat during the winter months,” explains Jonáš, who first came to La Palma as a tourist ten years ago years and fell in love with an alternative lifestyle that, thanks to the warm climate, is naturally more connected to agriculture and self-sufficiency.

We have everything as much as we need

The cave they live in is located on the property of the local doctor, homeopath and farmer Nona. While he provides them with a place to live, Ilona and Jonáš help him with work on the farm, or small farm, doing manual work around the house and on his land. “We think of everything as an exchange of energy, so I’d say we have as much of everything as we need,” says Ilona, ​​who also takes photos and shoots for a small farm that exports fruit to Europe, and occasionally makes money from PR and digital marketing.

As one of the few farmers on the west side of the island, Nono has an organic certificate, so he delivers fruit to local organic shops and markets with local products. Ilona and Jonáš each help him with the finca and the land for an average of 20 hours a week. Since there is no winter in La Palma, the trees and plants bear fruit all year round, and what they grow together with Nona, they can also use for their own consumption and thus be more or less self-sufficient.

He started remodeling the cave five years ago

The cave is located a hundred meters from Non’s house and access to it is not for everyone. It is reached by narrow serpentines, which, like the cave, Jonáš built with the help of acquaintances and friends on the island, and such help is called “gallofa” on the island. He started remodeling the cave five years ago and its construction is still in process.

“The basic reconstruction took approximately six months. We cut, moved the stones, carried them outside, sorted them and then carried them inside again and built walls out of them,” says Jonáš, while the dog Luka and one of the five cats lie down on the bed next to him .

In the cave house, they have an alcove with a mattress for guests, a bed, a table, shelves, chests and a small kitchenette with a gas stove. In front of the cave, they built an outdoor seating area, a gas-powered shower, a sink and three terraces. Electricity, internet and water were brought here from Nona’s land. One of the terraces serves as a bed for vegetables, on another Ilona has a mattress on which she meditates, rests or in the evening looks at the stars for which La Palma is famous.

Peeing in the rain is the worst

In the future, they plan to complete an outdoor kitchen with a stone oven for pizza and bread, a small garden storage space for tools and another terrace with seating. They would also like to convert the second part of the cave, which is now used as a cellar, into a second room. They use a compostable dry toilet at Nono’s place, and going to the toilet is the only discomfort that Ilona feels about life in the cave.

Is the comfort of television or life in harmony with nature?

Is the comfort of television or life in harmony with nature? | Photo: Klára Elšíková

“The worst is peeing in the rain. Even if we go for a walk here near the cave, I hate it. I have to wear a raincoat or go naked to just wipe myself with a towel,” she laughs. “However, I think the question is, what do we consider comfort at all,” Jonáš continues her words.

“Is comfort sitting at home watching TV, drinking beer and going to work five days a week and having five weeks off? Or is it more comfort that you live in harmony with nature, which is healthier and more meaningful as a result? People gravitate to certainties, but what really is security? Do we get security in external and material things, or should we rather create it within ourselves?” asking rhetorical questions while Paul Simon plays in the background.

They want to make a documentary about the island

The alternative lifestyle allows both Jonáš and Ilona to have more time for themselves. Ilona spends it on self-development, reading and learning about new physical activities, from yoga, free dance to sound therapy. At the same time, he devotes himself to development and self-study in photography and audiovisual production. “But what I enjoy most is deepening my experience and knowledge in agriculture,” he describes.

They also travel around the island together, discover new places and meet local musicians, with whom Jonáš jams. He has been playing the accordion since he was little. “Why? I don’t know, because my parents wanted it,” he replies.

Ilona spends her free time playing music with her friends.

Ilona spends her free time playing music with her friends. | Photo: Klára Elšíková

They also want to show the possibilities that the island offers in a documentary that they are gradually working on. “In it, we want to present the individual stories of locals and immigrants. La Palma’s climate is favorable for an alternative life, which is typical for a certain community of people here,” says Ilona, ​​adding that they are also working on a project that will also focus on the field of agriculture . “It will be individual video stories that capture different approaches to agriculture and the lives of the farmers themselves,” he describes and confides in his other plans.

“I would like to create a small environmental center here for people who are interested in or study tropical crops and want to work with them personally,” continues Ilona. “They could learn about them here in their natural environment in contact with specific farmers. I would also like to connect the center with a free art gallery and artists and musicians who could come here for summer residencies to create and exhibit their works,” she says.

We’re not hippies

Both disagree that they are hippies who don’t want to work. “This kind of thinking and labeling is a way of thinking that someone instilled in us through the system and education,” Jonáš thinks. “We have often adopted a way of life that is not our own. We are domesticated workers. At the same time, somewhere in the background we realize that we are not good at it, that it is not natural for us. The fact that someone labels our lifestyle negatively or refuses to accept it as normal, it just speaks of a level of freedom that is obviously not there in our society,” says the tall man in his forties resolutely.

La Palma is nicknamed the madhouse without a roof precisely because of the amount of personal freedom the island offers. “I can be more myself here. I don’t feel weird when I’m running on the beach, playing. I don’t have to watch myself, whether it’s when I’m dancing during a jam or when I’m naked by the sea. On the island, people live completely differently than in the Czech Republic. They’re not they are suffocating, here they allow themselves to be who they want to be, without fear that someone will judge them or consider them strange. People here simply want to enjoy life, they don’t just want to survive,” concludes Ilona.

Video: The Cumbre Vieja volcano rumbles on the Canary island of La Palma (September 20, 2021)

On the Canary island of La Palma, the Cumbre Vieja volcano is rumbling. | Video: Reuters

March 10, 2024 0 comments
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Underwater Photographer of the Year 2024: Graveyard of whales, sunken tanks and the beauty of ballerinas
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Underwater Photographer of the Year 2024: Graveyard of whales, sunken tanks and the beauty of ballerinas

by Chief editor of world-today-news.com February 26, 2024
written by Chief editor of world-today-news.com

The image of a diver floating above a whale cemetery off the coast of Greenland has become the absolute winner of a world underwater photography competition. Its author is A. Dawson from Sweden. He won the championship in a competition of more than six and a half thousand shots. The photo gallery shows all the awarded works in the individual categories of the competition. In addition to flora and fauna, we can also find sunken military tanks on them.

“The winning photo was taken in the most challenging conditions,” said jury president Alex Mustard. “A diver without a breathing apparatus, holding his breath, descends under the Greenland ice sheet to bear witness to what is hidden on the seabed. The picture encourages us to think about the attraction of man to the largest creatures of this planet.”

At the same time, Mustard recalled that since man appeared, the number of wild animals has decreased by 85 percent. “Only four percent of the mammals living on Earth today are wild animals. The rest are humans and their livestock. Our way of life must change to find a balance with nature.”

Lisa Stengel: Window of Opportunity. | Photo: isa Stengel, Underwater Photographer of the Year 2024

The award for the most promising talent went to photographer Lisa Stengelová from the USA. She caught a predatory mahi-mahi fish (also known by the natural science name of purple bream) hunting in a school of sardines. To capture this moment, Stengelová used not only cutting-edge photographic technology, but also her hearing. “When you listen to yourself, there’s a huge amount of sounds in the ocean,” she explained. “The action was too fast for me to see, so I used my camera to focus on the sound of the attacks to capture this special moment,” she explains.

According to the head of the jury, Alex Mustard, the rapid development of technology brings more and more breathtaking underwater photos. “It’s an exciting time. Until this year, I’d rarely seen a photograph of mahi-mahi, now Lisa has photographed not only it, but the action that takes place in the blink of an eye.”

Soutěž Underwater Photographer of the Year also focuses on the promotion of nature conservation, especially the underwater one. It therefore announces a special award in the category “Save our sea” (Save Our Seas). Portuguese photographer Nuno Sá won this year with the picture “Saving Goliath”. The category is named after the foundation that sponsors it. It is devoted to the protection of life in the seas and focuses in particular on sharks and rays.

Underwater Photographer of the Year has a total of thirteen categories. The winners were announced at a ceremony in London’s Mayfair hosted by The Crown Estate. This year’s judges were experienced underwater photographers Peter Rowlands, Tobias Friedrich and Alexander Mustard.

February 26, 2024 0 comments
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