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Entertainment

Snoop Dogg Stars in Eli Roth’s Upcoming Horror Film Don’t Go in That House Bitch

by Julia Evans – Entertainment Editor January 22, 2026
written by Julia Evans – Entertainment Editor

Snoop Dogg Steps Into⁤ the House of Horror with Eli Roth

snoop Dogg is adding a new role​ to his already extensive resume: horror movie star. The rapper is set to star in Eli roth’s⁣ upcoming film, “Don’t ‍Go ​in⁤ That House, Bitch!,” a project aiming to redefine the haunted house genre ⁤with a blend of classic influences and a distinctly modern edge.

A Unique Collaboration: Roth⁣ and Snoop dogg

The project marks another collaboration between Roth and Snoop Dogg, who previously worked together on the rapper’s 2012 music video for “La La La”. This time, Snoop’s involvement extends beyond a visual contribution. He’s ⁢not ⁢only a producer of the film, thru his Death Row Films, but will also​ take on⁢ a starring role. According to Roth, Snoop has long been eager to produce films under the Death Row banner [1].

“He’s been wanting to do Death‌ Row Films for a long time,” Roth shared at the Bvlgari Eternal Vimini⁢ party. “I said we need to ‌make the ultimate haunted house ‍movie, like the craziest ⁢one…something so insane people can’t believe it exists.”

Blending Horror Classics for‌ a Modern Nightmare

Roth envisions “Don’t Go in That House, Bitch!” as a homage to, ⁢and deconstruction of,‌ iconic horror films. He intends to blend elements from films like “House”‍ (1985), “House by the Cemetery” (1981), the Japanese cult classic “hausu”‍ (1977), and the “Friday the 13th” franchise. ⁣The goal is to create something genuinely unsettling and unexpected. Roth released a fake trailer for the ⁤movie in August, generating early⁢ buzz and setting​ the tone for the project. He completed the script over the recent holidays, and is now focused‍ on finalizing‌ the cast and budget.

Snoop Dogg’s Musical‍ Contributions

Snoop Dogg’s creative involvement doesn’t⁣ stop at acting and producing. He is also heavily involved in the film’s soundtrack. ​He has already composed original score music ⁤for Roth’s upcoming⁣ film, “Ice Cream Man,” proving his versatility as a composer beyond his hip-hop roots [1]. He’s also⁣ penned⁣ a song for “Ice Cream Man” intended for the end credits.

The creative partnership​ clearly extends beyond the professional realm. Roth highlighted the unexpected depth of⁢ Snoop’s musical talents, stating, “He sent me ⁤some score — not hip-hop, but actual score. I was like, ‘Oh my god, ⁣this‌ is unbelievable.’…So ‌we have a whole section of the movie that’s fully scored by Snoop.”

Production Details⁣ and California roots

Filming for “Don’t Go in That ‍House, Bitch!” is slated to begin in June. Roth is actively seeking a California tax credit to keep production local.⁤ “If I get the tax credit,I want to ⁤shoot it in Los Angeles so we can have all L.A. ⁢people on it,” ⁢he stated, indicating a desire to ‌support the local film industry.

“Thanksgiving” Sequel on ‍Hold

While⁢ Roth is ​ramping up⁣ “Don’t Go In That house, bitch!”,⁣ fans will have to wait a bit longer for the sequel to his‌ 2023 hit, “Thanksgiving.” Production has ⁤been temporarily‌ postponed due ​to scheduling conflicts with star Addison Rae, who is currently on a concert tour, and Milo Manheim, who will⁣ be ⁣starring in ⁤the live-action adaptation of “Tangled” [1]. Roth remains optimistic about the project, ⁤assuring fans that it will be back on track when everyone’s schedules align.

“Everybody wants to do it. I’m gonna have it locked and loaded, and we’ll find‍ a time when we’re all available,” Roth said. “We’ll ⁢just go back for a⁢ few weeks and have fun.”

“Don’t Go in That house, Bitch!” promises to be a unique and potentially groundbreaking entry in the horror genre, blending the creative vision of‌ Eli Roth with the multifaceted talents of Snoop Dogg. As production moves ⁣forward, horror fans have much to anticipate.

January 22, 2026 0 comments
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World

Sydney Sweeney on The Housemaid, Paul Feig & Sequel Hopes

by Lucas Fernandez – World Editor December 20, 2025
written by Lucas Fernandez – World Editor

the Housemaid is now at the center of a structural shift involving cross‑market cultural exchange. The immediate implication is heightened visibility for Korean‑American collaborative productions and a potential recalibration of star‑driven marketing strategies.

The Strategic Context

In recent years,Korean cinema has moved from niche festival circuits to mainstream global distribution,propelled by streaming platforms and a growing appetite for non‑Western narratives. This trend coincides with a broader pattern of talent mobility,where actors and directors leverage transnational appeal to access larger audiences. The convergence of Hollywood‑style star power with Korean storytelling formats reflects a structural realignment in the entertainment ecosystem, where cultural products are increasingly evaluated on their ability to bridge markets rather than fit within a single national box‑office model.

Core Analysis: Incentives & Constraints

Source Signals: The quoted praise highlights a strong professional rapport between the lead actress and the director, emphasizing readiness, preparation, and a shared creative process. The actress notes a personal connection (identical shoe size,height) and a mutual light‑hearted approach. The text also confirms that “The Housemaid” is currently in theaters.

WTN interpretation: The emphasis on professionalism and camaraderie signals an incentive to market the film as a collaborative, behind‑the‑scenes story that can attract audiences interested in the personalities involved. by foregrounding the director‑actor chemistry, the promotional narrative leverages star credibility to offset the risk inherent in introducing a culturally specific film to broader markets. Constraints include limited domestic promotional budgets and the need to navigate differing distribution windows across territories, which can dilute momentum if not coordinated. The shared attributes (height, shoe size) are being used as a human‑interest hook to personalize the marketing angle, aligning with a structural shift toward personality‑driven content promotion.

WTN Strategic Insight

“When a culturally specific film pairs it’s narrative authenticity with universally recognizable star chemistry, it creates a bridge that can accelerate cross‑market adoption in an increasingly globalized media landscape.”

Future Outlook: Scenario Paths & Key Indicators

Baseline Path: If the current promotional emphasis on the director‑actor rapport resonates with audiences, “The Housemaid” sustains steady box‑office performance across North American and Asian markets, prompting studios to green‑light additional Korean‑American co‑productions that replicate this talent‑centric model.

Risk Path: If audience reception is muted-due to cultural disconnects or competing releases-the film’s underperformance could reinforce caution among distributors,slowing the pace of similar cross‑cultural projects and prompting a re‑focus on localized content strategies.

  • Indicator 1: Weekly box‑office receipts for “The Housemaid” in the United States and South Korea over the next eight weeks.
  • Indicator 2: Volume of social‑media mentions linking the film’s lead actress and director, measured by sentiment analysis and engagement rates.
  • Indicator 3: Announcement of any new Korean‑American co‑production deals within the next quarter, as reported by industry trade outlets.
December 20, 2025 0 comments
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