Towards the end of the show, Roseberry amplified her most obvious craftsmanship in a series of looks that echoed different carving ideas. Huge quilt-like structures in mosaic or paint splatters evoked wooden statues, an image reflected in vast volumes of draped coats that were also reminiscent of ancient blanket robes. The sentiment culminated in multidimensional layers of majestic carved wood jewelry. “Burlwood hands, white plaster lobsters and the maiden dove, our symbol and promise of hope, plated in 24-carat gilt gold leaf,” Roseberry explained. ‘As we head into the unknown, when creative expression and fame feel available to everyone, at least for a moment, we ask ourselves: what can break through? For our Maison, it is the power of design, the power of our craftsmen and the power of the human hand at work,’ she mused.
2023-07-05 16:06:13
#facts #Schiaparelli #Haute #Couture #Fall #Winter #show
