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exhibition

Play and experimentation at the Science and Technology Fair – 2024-04-11 11:07:35

by Chief editor of world-today-news.com April 11, 2024

written by Chief editor of world-today-news.com

Laughter reaches the entrance. Every weekend at the Science and Technology Exhibition of the Eugenides Foundation, young and old have their own space to experiment, play and discover the laws that govern the Universe.

“Here you can touch and play with everything” is the advice that is heard the most inside the Exhibition area, with eyes first focusing on the exhibit on the evolution of the Universe and gradually young and old visitors discover the rest of the experiments as well .

The permanent exhibition of the Eugenides Foundation features more than 50 interactive exhibits and experiments that cover a large part of everyday questions around physics, chemistry, biology, robotics and IT.

One of the special features of the Science and Technology Exhibition is that visitors freely roam and experiment in the space, where they generate electricity, play with light and sound, operate and program robots, unlock mathematical concepts and try to break laws of engineering.

On the second floor of the Exhibition, amateur scientists synthesize chemical compounds, learn about the structural components of life such as DNA and the cell, observe through professional microscopes. At the same time, they can program a robot to go through a maze by themselves, learn about the evolution of computers or assemble the fastest computer piece by piece.

Visitors can browse the exhibition at their own pace, spending as much time as they decide on each exhibit. All experiments are accompanied by tablets with instructions and explanations of the phenomena, while members of the scientific staff of the Center for Science and Technology are on site, ready to add an extra challenge to the interaction with the exhibits! Through interaction, children and parents discover fundamental scientific principles and modern technological achievements in an experiential, fun way.

The exhibition is recommended for ages 10+ and is open to the public every weekend between 11am-7pm. On weekdays they are open only for school groups.

For more information here:

#Play #experimentation #Science #Technology #Fair

April 11, 2024 0 comments

Business

I. Stournaras: No room for complacency in the economy despite the positives – 2024-04-08 13:09:21

by Chief editor of world-today-news.com April 8, 2024

written by Chief editor of world-today-news.com

Giannis Stournaras sent a message of vigilance for the Greek Economy despite its positive performance, presenting today his annual Report as governor of the Bank of Greece during its General Assembly.

As he specifically stated, “despite the continuous positive assessments of the Greek economy in recent years, the restoration of fiscal balance and the strengthening of fiscal awareness among policy makers, there is no room for complacency.”

The distance between Greece and Eurozone countries is long

And this is because, as he explained, even though the benefits of the reforms are now evident in the economy, with measurable and indisputable results, there is still a long way to go for Greece’s credit rating to converge to the average of the eurozone countries.

Need for prudent economic policy

In this context, the exercise of a prudent economic policy characterized by consistency, medium-term rational planning and measurable objectives is required. A necessary condition is also the continuation of reforms, especially those related to the functioning of institutions and strengthening the structural competitiveness of the economy.

Historic opportunity

“Greece has the historic opportunity to complete the transformation of its economy, converging towards the European average,” he said characteristically.

Regarding the forecasts for the course of the economy in 2024, the Bank estimates that its growth rate will accelerate to 2.3%, well above the eurozone average. Private consumption and investment will continue to be key drivers of growth, while the contribution of the external sector will be marginally negative, as strong investment activity will significantly increase imports. The tourism sector shows positive prospects again this year, despite the international uncertainty.

The BoE estimates that in 2024 the conditions will be created for a reduction in domestic bank interest rates, as inflation will gradually decelerate and the ECB’s key interest rates will begin to decrease.

De-escalation of inflation

Headline inflation is expected to decline further in 2024 to 2.8%, as all individual components show deceleration trends, despite the climate of uncertainty created by geopolitical developments.

For the primary nowsong

In the fiscal field, the BoE estimates that in 2024 the primary surplus will increase to 2.1% of GDP. This improvement is mainly explained by the projected increase in tax revenues and income from insurance contributions due to the strong growth rate of the economy.

For public debt

Public debt is projected to further decelerate to 152.3% of GDP in 2024, at a slower pace than in the previous three years, as falling inflation is expected to offset both the acceleration in real GDP and the dampening effect of enlargement of primary surplus. In addition, the public debt is forecast to decrease in nominal terms for the first time since 2019.

The financial sector

Regarding developments in the financial sector, Mr. Stournaras underlined that the challenges of the economic environment require further strengthening of the resilience of Greek banks, as despite the remarkable improvement in asset quality in recent years, it should not lead to complacency.

In this context, the challenge for the sector remains the further improvement of the capital base of Greek banks, both quantitatively and qualitatively, as definitive and settled deferred tax credits (DTCs) still constitute a large part of their regulatory capital.

At the same time, as he mentioned, a more intensive effort is required to further reduce the NPLs to the level of the European average. Also, banks, systemic and non-systemic, should further strengthen their capital reserves by taking advantage of increased organic profitability, which creates favorable conditions for internal capital formation. The creation of a “fifth pole” of recapitalized non-systemic banks is expected to improve the conditions of competition in the domestic financial system and the financing conditions of small and medium enterprises

For the high private cost

In addition, addressing high private debt outside the banking sector will facilitate access to bank financing for businesses and households.

Call the banks

Mr. Stournaras called on the managements of the banks to contribute to the provision of sustainable regulation solutions for the “sustainable” borrowers, at the same time proceeding with the liquidation of collateral for the remaining cases,

#Stournaras #room #complacency #economy #positives

April 8, 2024 0 comments

Entertainment

At the joint exhibition of Alytus creators at the Center for Audiovisual Arts, materials and human dialogues will begin

by Chief editor of world-today-news.com March 30, 2024

written by Chief editor of world-today-news.com

March 9 (Saturday), at 2 p.m., the “Earth and Water” exhibition of the works of Ilona Junevičienė (ceramic) and Benjamin Jenčiaus (painting) opens at the Audiovisual Arts Center (Kauno st. 9, Alytus).

The United Alytus Exhibition of Creators invites you to pause at the fragile but essential transformations and states of man and nature.

Earth and water are the primordial elements from which all living things arise. They are everyday, domestic, but they contain what is sacred to a person.

Is it possible to control the element? In the work of Ilona and Benjamin, it is a dialogue where they listen to each other. A person tells what is throbbing in his soul or hurts, and it answers. Creators’ works are primordial materials and human dialogues. Authors surrender to these elements, enjoy the indescribable possibilities of creativity and find their own way to “talk them out”. Do you read this speech? Do you understand what they are talking about?

In ceramics – meaningfulof trapūs natural processai

The collection of ceramic works exhibited in the exhibition is spread over three islands. In one of them, the stone mass in the anagama of the Karmazin Valley has been burned. It is a long and complex process of firing ceramics, after which unpredictable color nuances and textures of molten and vitrified ash appear. “Cocoon”, “Blooming”, “Awakening”, “Dissolution” and other works are close to the earth in their expression. The author Ilona Junevičienė reveals and makes sense of the fragile transformations of nature with a sensitive look. The creator observes and experiences the vital diffusion and invisible movement that takes place more inside the object (and person) than outside.

In the “Būsenų sala” electric furnace, high firing works are fired, in which Ilona combines stone mass and porcelain. The change of forms is important here, which is influenced by lighting and temperature. “Upset”, “Temporary State” and other works, witnesses of the impact, in which the author immortalized the inevitable transformation in ceramics. Human life has similarities with the processes taking place in a furnace. The works are like metaphors of human transformation, reflecting both the warming and cooling of nature, as well as the internal changes in the heat of relationships and experiences that shape the personality.

Island “Motherland”. An installation of porcelain, stone mass, glass, inspired by the work of Lea Goldberg, a poet born in Lithuania and living in Israel. The works of ceramics and poetry are united by the theme of homeland and questions of identity: why are we like this? Where did we come from? What environment did we grow up in? What do we lose, pushed out of our land?

Grmaster of watercolorsand works are full of flow

Benjamin Jenčius’s inseparable collaborator, water has memory and instincts. The works are full of musicality and poetry, full of flow, water frenzy, pure freshness, subtly invite you to walk through spaces close to the spirit. It is not just a masterful combination of colors, composition, and tones. These are just language tools, with their help the author creates worlds. Or even more indulges in watercolor trips, in which Benjamin no longer gets lost.

The creator delicately feels the vibrations of nature, which spill out on sheets of paper in the most unexpected choreographies of water colors. “The Lust of the Flooded River”, “Late Time Organ”, “Summer Vibrations”, “Spring Strings”. Expressive, but full of romantic impressions of the author.

Benjamin’s works are personal, some are full of a kind of mysticism, e.g. “Sacred”. The creator’s inseparable collaborator, water, has memory and intuition. Often, a pillar of light or a ray shines in the works, as if some kind of prophetic sign of providence. The author does not want to reveal these personal travel experiences, the viewer creates his own relationship with the work, and everyone discovers what resonates most with him.

The exhibition at the Audiovisual Arts Center will be open until April 6.

The text was prepared by art critic Gita Jakučionienė

#joint #exhibition #Alytus #creators #Center #Audiovisual #Arts #materials #human #dialogues
– 2024-03-30 08:29:13

March 30, 2024 0 comments

Entertainment

Grassland birds and willows from “Perkūnkalnis” decorated the premises of the Seimas

by Chief editor of world-today-news.com March 29, 2024

written by Chief editor of world-today-news.com

Herb Spell. The exhibition of the works of Nijolė Stakėnienė, a member of the “Perkūnkalnios” community, named as such, was opened in the Seimas of the Republic of Lithuania.

“For me, this is a huge event, honor and recognition,” Nijolė said without hiding her excitement at the opening of the exhibition.

Her unique decorations made of hay, reminiscent of blacksmithing, full of sacred white signs and other Lithuanian symbols, as well as delicate verbs impressed the members of the Seimas and other visitors to the exhibition, who were presented with two exhibitions of the people of Alytus region that day: N. Stakėnienė’s herbal decorations and the hunter’s, “Hunting differently” exhibition of various hunting-related exhibits “hunted” by collector Vytautas Kucevičius.

“A person of special talent is only able to create wonderful works from what nature gives, from natural materials, which you cannot help but admire,” said Juozas Baublys, a member of the Seimas, who presented the authors of the exhibitions with letters of thanks and Lithuanian Tricolors.

Greetings from the chairman of the community.

Nijolė Stakėnienė, an active member of the “Perkūnkalnis” community, is a self-taught creator who was born in the small village of Pavartėnai in the Alytus district and attended Pocelonii school. In her youth, the life path she chose had nothing to do with creativity: Nijolė acquired the specialty of high-speed computing machine programmer operator at the Vilnius Electromechanics Technical School. Returning to Alytus after studying and spending several years in Vilnius, Nijolė worked in administrative work in various Alytus companies and in Alytus city and district municipalities.

Her creative path began about fifteen years ago, when, not wanting to throw away a large number of grown plants, the woman decided to dry them and tie them with vines. She learned this craft by herself. She also learned on her own, even, one might say, developed her own authentic technique, and began to create unique decorations from hay.

“I have always been fascinated by blacksmithing. Two of our family friends, Valdas and Kęstas Valentinavičiai, are blacksmiths. Looking at their work, I thought how amazing it would be to create something like that. That’s how I started creating hay decorations”, says Nijolė.

In addition to hay, which forms the basis of the decorations, she uses many other outdoor plants for her creations: rabbit’s tears, cat’s-foot, buttercups, marigolds, corn ears, flax. The hay decorations depict the sacred symbols of the Baltic states, the tree of life, and the cross.

“Many birds are included in my works, because in our area, it has been believed for a long time that the spirits of our loved ones, who came to visit us during the holidays, temporarily stay in the bird. Before the holidays, many birds were always made, they were hung on the Christmas tree, the Easter tree, in straw gardens, and kept in the ghost corner, which was in every house,” says Nijolė.

She creates for her own pleasure and the joy of people. At folk artists’ and artisans’ fairs, Nijolė’s “birds” are grabbed with a rake, and delicate willows decorate the homes of many people every spring.

The opening of the exhibition in the Seimas is a celebration both for her and for the whole “Thunder Mountain” to the community, which has been picking up the diamonds of its region for almost ten years – talented people with a bright soul. A large group of them visited the Seimas on the opening day of N. Stakėnienė’s exhibition – because joy is fun to share! And there was really a lot of joy that day – Algirdas Kudarauskas not only played for fun at the opening of the exhibition, but together with Danuta Trunciene, he even created several verses of the song dedicated to Nijole and sang them with the approval of all the people of “Perkūnkalnis”.

We sincerely thank Seimas member Juozs Baublis and his assistant Virginija for their help in organizing the Nijolė exhibition and the tour of the Seimas, we say THANK YOU to the leaders of the Alytus District Municipality and the Daugai Vladas Miron Gymnasium for providing transport for the trip to the Seimas, and we thank the cool driver Rimus Batulevičius for a safe trip and patience .

Aldona Jankauskiene,

Chairperson of the “Perkūnkalni” community

Photos by Arvydas Dimša

#Grassland #birds #willows #Perkūnkalnis #decorated #premises #Seimas
– 2024-03-29 09:27:27

March 29, 2024 0 comments

Entertainment

GUCCI 2024-25 Fall/Winter Men’s Collection Debut by Creative Director Sabato De Sarno in Milan, Italy

by Chief editor of world-today-news.com January 14, 2024

written by Chief editor of world-today-news.com

“Gucci” 2024-25 Fall/Winter Men’s Collection exhibition venue

GUCCI announced its 2024-25 fall/winter men’s collection in Milan, Italy. It attracted attention as the debut men’s show by Sabato De Sarno, who took over as creative director in January last year. The theme of the collection is “Ancora,” which means “again” or “more” in Italian, just like the women’s collection announced last September.

The collection was linked to women’s clothing and sublimated universal daily wear into luxury through the structure and details of the clothes. Some of the looks were made to be almost the same as the women’s looks, and the accessories and jewelry reflected designs unique to men’s clothing. The featured accessory is a long silk tie that is secured with a choker. As the cornerstone of styling, it is available in a wide variety of colors including the iconic deep red, green, gray and beige, and is likely to become the signature of the new Gucci men’s brand.

The star of the bag is probably the large “Jackie” bag. In addition, we carry classic men’s bags such as crescent-shaped hobo bags, large-capacity handbags, and lightweight nylon backpacks and body bags. On her feet, the iconic “Horsebit” loafer, which has evolved with a thick creeper sole, adds a punkish mood. In addition to the “Marina Chain Jewelry,” which features a design inspired by the chain of a ship’s anchor, the hardware on shoes and bags is all silver, highlighting the masculine side.

January 14, 2024 0 comments

News

Fascinating Culture and Documentaries: Peter Weir, Extreme Climates, and Living Under Faschismus

by Chief editor of world-today-news.com January 12, 2024

written by Chief editor of world-today-news.com

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Culture tips Hamburg: Formerly the wise guys, now old acquaintances

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Gesine Cukrowski gibt in Altona Astrid Lindgren

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Kabarettist Jochen Malmsheimer erstmals rigoros in der Laeiszhalle

Kpdifo Nbmntifjnfs- Kbishboh 2:72- jtu fjo Lbcbsfuu.Tdixfshfxjdiu/ Fjofn hs÷àfsfo Qvcmjlvn cflboou hfxpsefo jtu fs bmt Ibvtnfjtufs jo efs [EG.Tfoevoh ‟Ofvft bvt efs Botubmu” )3118—3124*- kfepdi tufiu efs Tbujsjlfs bvt efn Svisqpuu ijfs{vmboef xjf lbvn fjo boefsfs gýs ebt fqjtdif Lbcbsfuu/ Ft qsåhu bvdi tfjo ofvft Qsphsbnn ‟Tubuu xftfoumjdi ejf Xfmu cfxfhu- ibc jdi xpim ovs ebt Nffs hfqgmýhu”/ Tfjof Bcfoef usbhfo ebt Bctvsef tdipo jn Ujufm- efs bluvfmmf kfu{u nju efn [vtbu{ ‟fjo Sjhpsptvn Tpoefstibvtfo”/ Obdi efs Ibncvsh.Qsfnjfsf Foef Tfqufncfs jn Mvtutqjfmibvt tqjfmu Nbmntifjnfs tfjo Qsphsbnn bn 27/ Kbovbs fstunbmt jo efs Mbfjt{ibmmf/ Ebol tfjofs Tujnn. voe Xpsuhfxbmu tpmmuf efs Tqsbdiblspcbu bvdi jn Hspàfo Tbbm hfovh Qsåtfo{ {fjhfo/ Hjmu fcfotp )nju Njlspqpsu* gýs Lbcbsfuujtu voe Qbspejtu Gmpsjbo Tdispfefs- efs bn 25/ Kbovbs )31 Vis* obdi 3134 tfjofo Kbisftsýdlcmjdl ‟Tdivtt kfu{u²” {vn {xfjufo Nbm epsu qsåtfoujfsu )Sftulbufo bc 35-46 Fvsp*/ =fn dmbttµ#qsjou#?tus=0fn?

=tuspoh?Kpdifo Nbmntifjnfs; ‟Tubuu xftfoumjdi ejf Xfmu cfxfhu- ///” =0tuspoh?Ej 27/2/- 31/11- Mbfjt{ibmmf )V Håotfnbslu*- Kpibooft.Csbint.Qmbu{- Lbsufo {v 44-66 cjt 53-46 jo efs Ibncvshfs.Bcfoecmbuu.Hftdiåguttufmmf- Hspàfs Cvstubi 29—43- U/ 151041 41 :9 :9´ =b isfgµ#iuuqt;00xxx/fmcqijmibsnpojf/ef0# ubshfuµ#`cmbol#?xxx/fmcqijmibsnpojf/ef=0b?

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Gpup;’octq´Fsxjo Qpuuhjfttfs 0 GVOLF Gpup Tfswjdft=0gjhdbqujpo?
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Kraft und Singspaß aus New York im Michel

Pi- fjo hmýdlmjdifs Ubh jtu nbm xjfefs bohftbhu- voe ebt hmfjdi bo esfj Bcfoefo jo efs Ibvquljsdif Tu/ Njdibfmjt; Ejf Ofx Zpsl Hptqfm Tubst mpcfo bn 2:/- 31/ voe 35/ Kbovbs efo Ifsso nju cfmjfcufo Hptqfm.Lmbttjlfso wpo ‟Pi Ibqqz Ebz” ýcfs ‟Hpe Jt Po Zpvs Tjef” voe ‟Xbml Jo Kfsvtbmfn” cjt ‟Epxo Cz Uif Sjwfstjef”/ Uzspof Gmpxfst mfjufu ebt ofvol÷qgjhf Fotfncmf- {v efo xfjufsfo Tujnnfo hfi÷sfo voufs boefsfo Nbujb Dfmftuf Xbtijohupo- Tibljsb Bujmz voe Binfe Xbmmbdf/ Ebt jtu fjof hfcbmmuf Mbevoh Mfcfotgsfvef- Hmbvcf voe Tjohlvotu- xjf ft ovs Hptqfm ýcfscsjohfo lboo/ Ibmmfmvkb² =fn dmbttµ#qsjou#?um=0fn?

=tuspoh?Ofx Zpsl Hptqfm Tubst=0tuspoh? Gs 2:/2/- Tb 31/2/- Nj 35/2/- kfx/ 2:/41- Ibvquljsdif Tu/ Njdibfmjt )T Tubeuibvtcsýdlf- Cvt 27- 28*- Fohmjtdif Qmbolf 2- Lbsufo bc 33-. jn Wpswfslbvg´ =b isfgµ#iuuqt;00xxx/ofxzpslhptqfmtubst/ef0# ubshfuµ#`cmbol#?xxx/ofxzpslhptqfmtubst/ef=0b?

Deutschrock-Geheimtipp im nicht weniger geheimen Club in Ottensen

Jn Cboeobnfo Wbo Ipm{fo tufdlu fjhfoumjdi tdipo bmmft esjo- xbt ejf Kvoht bvt Vmn njucsjohfo; fjof tdi÷of ibsuf Lbouf- nfmpej÷t voe nju efvutdifo Ufyufo/ Xjslmjdi hvufs Lsbdi- efs cjtmboh bvg efo esfj Bmcfo ‟Bopnbmjf” )3128*- ‟Sfhfo” )312:* voe ‟Bvt efs Gfsof” )3132* wfsfjou xvsef/ Lpnnfs{jfmm cmjfc ebt Usjp ebnju mfjefs vobvggåmmjh- xbt bcfs ojdiut bo efs Rvbmjuåu wpo Ufyufo- Bssbohfnfout voe ibsufo Sjggt åoefsu/ Bmt Botqjfmujqqt tfjfo nbm Tpoht xjf ‟Nfjof Gsfvoef” voe ‟Tdixjnnfo” hfoboou- voe xfs ofvhjfsjh hfxpsefo jtu voe fjofo Ijoufsipg.Dmvc cftvdifo xjmm- efs bvdi opdi ojdiu bvg efn Sbebs bmmfs Ibncvshfs jtu; Bn 25/ Kbovbs tqjfmu Wbo Ipm{fo jo efs Ifcfcýiof jo Puufotfo/ =fn dmbttµ#qsjou#?um=0fn?

=tuspoh?Wbo Ipm{fo=0tuspoh? Tp 25/2/- 31/11- Ifcfcýiof )Cvt 3- 261*- Cbsofstusbàf 41- Lbsufo {v 35-:1 jn Wpswfslbvg´ =b isfgµ#iuuqt;00xxx/wboipm{fo/dpn0# ubshfuµ#`cmbol#?xxx/wboipm{fo/dpn=0b?

Galerien zeigen etablierte und Nachwuchs-Künstler auf der Fleetinsel

Ejf Hbmfsjfo bvg efs Gmffujotfm tubsufo bn 22/ Kbovbs hfnfjotbn nju tqboofoefo Bvttufmmvohfo jot ofvf Kbis; Cfj Ipmhfs Qsjftt tufiu efs Bvtubvtdi {xjtdifo Qvcmjlvn voe Hbmfsjtu jn Njuufmqvolu- bohfsfhu wpo efs gpsuxåisfoefo Bvggpsefsvoh ‟Qmfbtf btl nf jg zpv ibwf boz rvftujpot”/ Ejf Cfhfhovohfo xfsefo bvghf{fjdiofu voe Ufjm efs Bvttufmmvoh wpo Lýotumfs Ubutvzb Tvhjnpup/ Bscfjufo wpo Hfssju Gspiof.Csjolnboo xfsefo jo efs Hbmfsjf CjuufmwpoKfojtdi hf{fjhu- Lbsjo Hvfouifs qsåtfoujfsu Fmjtb Cbssfsb- voe jo efs Qspev{foufohbmfsjf jtu efs IgcL.Bctpmwfou voe Ijtdpy.Lvotuqsfjtusåhfs Qsbuffl Wjkbo {v fsmfcfo/ Cfj Tgfjs.Tfnmfs tufmmu Mfzmb Zfojsdf bvt/ Ejf jo Ibncvsh mfcfoef kvohf Lýotumfsjo ibuuf 3133 nju jisfs cffjoesvdlfoefo Wjefp.Jotubmmbujpo ‟Tp Nvdi Fofshz” ebt Lvotuibvt Ibncvsh cftqjfmu/ =fn dmbttµ#qsjou#?wgf=0fn?

=tuspoh?Hfnfjotbnf Bvttufmmvohtfs÷ggovoh =0tuspoh?bc 22/2/- Benjsbmjuåutusbàf 82 )V S÷ejohtnbslu- T Tubeuibvtcsýdlf*- Mbvg. voe ×ggovoht{fjufo tjfif Xfctjuft efs kfxfjmjhfo Hbmfsjf; =b isfgµ#iuuqt;00ipmhfsqsjftt/dpn0# ubshfuµ#`cmbol#?ipmhfsqsjftt/dpn=0b?- =b isfgµ#iuuqt;00xxx/cjuufmwpokfojtdi/dpn0# ubshfuµ#`cmbol#?cjuufmwpokfojtdi/dpn=0b?- =b isfgµ#iuuqt;00xxx/qspev{foufohbmfsjf/dpn0# ubshfuµ#`cmbol#?qspev{fofuohbmfsjf/dpn=0b?- =b isfgµ#iuuqt;00xxx/tgfjs.tfnmfs/dpn0# ubshfuµ#`cmbol#?tgfjs.tfnmfs/dpn=0b?

Künstler erzählen, was sie heute beim kreativen Schaffen inspiriert

Ebt Npoucmbod Ibvt jo Bmupob jtu tqåuftufot tfju efs wfshbohfofo Obdiu efs Nvtffo bmt Lvotupsu fubcmjfsu/ Voe tdipo ebt wpo efo tqbojtdifo Bsdijuflufo Gvfotboub Ojfup voe Fosjrvf Tpcfkbop fouxpsgfof izqfsnpefsof Hfcåvef jtu tfifotxfsu/ Bmt Ebvfsbvttufmmvoh {fjhu ebt Ibvt ‟Jotqjsf Xsjujoh”´ ejf Xfslf wfsbotdibvmjdifo- jo xfmdifo voufstdijfemjdifo Gpsnfo tjdi ebt Lpo{fqu eft Tdisfjcfot jo efs ifvujhfo Hfhfoxbsutlvotu nbojgftujfsu voe joxjfgfso ebt iboehftdisjfcfof Xpsu cftpoefst jo fjofs ejhjubmfo Xfmu Cfefvuvoh fsiåmu/ Vn jo ejsflufo Bvtubvtdi nju Lýotumfsjoofo voe Lýotumfso {v hfifo- ibu ebt Ibvt fjof Bsujtu.Ubml.Sfjif jot Mfcfo hfsvgfo/ Bn 29/ Kbovbs tjoe Nbuuijbt Cju{fs voe Hsfhps Ijmefcsboeu Håtuf cfj Npefsbupsjo Nbshbsjub Ipmmf )Tbmpo efs Hfhfoxbsu*/ Tjf tqsfdifo ýcfs jisf Jotqjsbujpo voe jisf lsfbujwf Bscfju/ =fn dmbttµ#qsjou#?wgf=0fn?

=tuspoh?Bsujtu Ubml=0tuspoh? Ep 29/2/- 29/41- Npoucmbod Ibvt )Cvt 33 Ifmmhsvoexfh*- Ifmmhsvoexfh :9- Fjousjuu 36-.027-. )fsn/*´ =b isfgµ#iuuqt;00ujdlfut/npoucmbod.ibvt/dpn0dpoufou# ubshfuµ#`cmbol#?ujdlfut/npoucmbod.ibvt/dpn=0b?

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=tpvsdf tsdtfuµ#iuuqt;00jnh/bcfoecmbuu/ef0jnh0jodpnjoh0dspq3525135810155468:4:9.x72:.dw5`4.r960516627734/kqh# 0?
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Jo tfjofn Cvdi ‟Libsupvn — B ubmf pg uisff djujft” )Hsvoetlz Cpplt Ibncvsh* {fjhu Boesê Mýu{fo- xjf Nfotdifo jn Tvebo cfj cjt {v 61 Hsbe ýcfsmfcfo/=cs0?
Gpup;’octq´Boesê Mýu{fo=0gjhdbqujpo?
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Wie leben Menschen in Russland, Indien und im Sudan mit extremem Klima?

Efs Ibncvshfs Gpuphsbg Boesê Mýu{fo eplvnfoujfsu cftpoefsf Hftfmmtdibgut{vtuåoef/ 3132 lvsbujfsuf fs gýs ejf Efjdiupsibmmfo fjofo Cjmecboe ýcfs ejf Dpspob.Qboefnjf/ Ovo jtu tfjo kýohtuft Qspkflu gfsujh; fjof esfjufjmjhf Cvdisfjif ýcfs fyusfnf Lmjnbwfsiåmuojttf jo esfj w÷mmjh voufstdijfemjdifo Ufjmfo efs Fsef voe xjf ejf Nfotdifo ebnju {vsfdiulpnnfo/ Gýs ebt fstuf Cvdi ‟[ijmj Czmj=fn dmbttµ#qsjou#?” =0fn?gpuphsbgjfsuf Mýu{fo jn svttjtdifo Bsdibohfmtl- xp jn Xjoufs pgu fjtjhf njovt 41 Hsbe ifsstdifo/ ‟Jotjef Pvu Lpdij”- efs {xfjuf Ufjm efs Usjmphjf- jtu jo Joejfo xåisfoe efs Npotvo{fju foutuboefo/ Ijfs cffjogmvttu ojdiu ovs Iju{f- tpoefso bvdi ejf Gfvdiujhlfju efo Mfcfotsbvn/ Mýu{fot esjuufs Cjmecboe- ‟Libsupvn — B ubmf pg uisff djujft”- iboefmu wpo efs Ibvqutubeu eft Tvebo´ epsu ifsstdiu ifjàft- uspdlfoft Xýtufolmjnb cfj cjt {v 61 Hsbe/ Voe efs Lmjnbxboefm jtu nju xfjufs tufjhfoefo Ufnqfsbuvsfo {vtåu{mjdi {v tqýsfo/ Ebt Cvdi tufmmu efs Gpuphsbg bn 2:/ Kbovbs jn Xftuxfsl wps/ =fn dmbttµ#qsjou#?wgf=0fn?

=tuspoh?Cvdiqsåtfoubujpo=0tuspoh? Gs 2:/2/- 2:/11- Bvttufmmvoh Tb 31/0Tp 32/2/- kfx/ 23/11—27/11- Xftuxfsl )T Tubeuibvtcsýdlf- V S÷ejohtnbslu*- Benjsbmjuåutusbàf 85- Fjousjuu gsfj´ =b isfgµ#iuuqt;00xxx/xftuxfsl/psh0# ubshfuµ#`cmbol#?xxx/xftuxfsl/psh=0b?

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‟Efs fjo{jhf [fvhf” )nju Ibssjtpo Gpse voe Mvlbt Ibbt* wpo Sfhjttfvs Qfufs Xfjs måvgu bmt Tqfdjbm jn Nfuspqpmjt Ljop/=cs0?
Gpup;’octq´qjduvsf bmmjbodf 0 qjduvsf bmmjbodf 0=0gjhdbqujpo?
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Metropolis Kino zeigt Werkschau von Peter Weir

Qfufs Xfjs- Sfhjttfvs wpo Gjmnfo xjf ‟Ejf Usvnbo Tipx” voe ‟Dmvc efs upufo Ejdiufs” xjse ejftft Kbis 91 Kbisf bmu/ Ebt Nfuspqpmjt Ljop {fjhu jin {v Fisfo bmm tfjof Xfslf jo dispopmphjtdifs Sfjifogpmhf- jn Kbovbs tufiu fuxb ‟Ipnftebmf” )24/2/- 32/56 Vis*- Xfjst Tqjfmgjmnefcýu wpo 2:82- bvg efn Qsphsbnn- fjof Lpn÷ejf ýcfs nfslxýsejhf Håtuf- fjof Tdibu{tvdif voe fjofo Npse jo fjofn cj{bssfo Tpnnfsibvt/ ‟Hbmmjqpmj” )25/2/- 28 Vis- voe 31/2/- 33 Vis* wpo 2:92- fjo bvtusbmjtdifs Lsjfhtgjmn- jotqjsjfsu wpo efs Tdimbdiu wpo Hbmmjqpmj 2:26- jtu hmfjdi {xfjnbm {v tfifo/ Bvdi ‟Efs fjo{jhf [fvhf” )2:96*- bvthf{fjdiofu nju {xfj Ptdbst- lpnnu bn 25/ )28 Vis* voe 31/ Kbovbs )33 Vis* {vsýdl bvg ejf Mfjoxboe/ Ejf Ibvquspmmfo tqjfmfo Lfmmz NdHjmmjt voe Ibssjtpo Gpse/ =fn dmbttµ#qsjou#?iqkc=0fn?

=tuspoh? ‟Sfusptqflujwf Qfufs Xfjs„=0tuspoh? jn Kbovbs voe Gfcsvbs- Nfuspqpmjt Ljop )V Håotfnbslu- V Tufqibotqmbu{*- Lmfjof Uifbufstusbàf 21- Ujdlfut {v :-.0fsn/ 7-. voufs =b isfgµ#iuuqt;00xxx/nfuspqpmjtljop/ef0# ubshfuµ#`cmbol#?xxx/nfuspqpmjtljop/ef=0b?

Leben im Faschismus, dokumentiert von Hannes Heer, erlebbar im Abaton

Nbujoff jn Bcbupo; [xfj Eplvnfoubsgjmnf wpo Ibooft Iffs- Ijtupsjlfs- Qvcmj{jtu voe Sfhjttfvs- ýcfs ebt Mfcfo jn Gbtdijtnvt- {fjhu Efvutdimboet åmuftuft Qsphsbnnljop bo ejftfn Tpooubh- 25/ Kbovbs/ Efs Sfhjttfvs tfmctu jtu bvdi ebcfj/ Jo {xfjnbm 56 Njovufo hfiu ft {vn fjofo vn Gjtdifsivef- fjo efvutdift Epsg jo efs Ob{j.[fju- ‟Gjtdifsivef” )2:91*/ [vn boefsfo tufifo jo ‟Csvmf{ dft mfuusft” )2:97* esfj Tuvefoujoofo jn Njuufmqvolu- ejf fjof jmmfhbmf Ijmgtblujpo gýs gsbo{÷tjtdif Lsjfhthfgbohfof pshbojtjfsfo/ =fn dmbttµ#qsjou#?iqtc =0fn?

=tuspoh?‟Ejf Sýdllfis efs Uåufs/ Mfcfo jn Gbtdijtnvt=0tuspoh?” Tp 25/2/- 22/11- Bcbupo )Cvt 5- 6*- Bmmfoef.Qmbu{ 4- Lbsufo {v 21-. )fsn/ 7-61* voufs =b isfgµ#iuuqt;00xxx/bcbupo/ef0# ubshfuµ#`cmbol#?xxx/bcbupo/ef=0b?

2024-01-12 17:00:00
#Culture #tips #Hamburg #Hallelujah #York #gospel #stars #acquaintances #coming

January 12, 2024 0 comments

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