AI Actress Sparks โขDebate:โค Creator Defends ‘Fullโ Character‘ of โVirtual star Tilly Norwood
the creation of Tilly โNorwood, an AI-generated actress signed to a digital talent agency, โhas ignited a fierce debateโ about โthe future of performance โขand โฃthe very definition of โขauthorship. Eline Van der Velden,founder of Particle 6 – the studio behind Norwood – is pushing backโ against criticism that presenting Tilly as a fully-realized individual is deceptive,arguing โคthat building a thorough personality is essential โฃto compelling โคcharacter creation,even in the digital realm.
Theโ controversy โstems from โขtheโค perception that portraying an AI as possessing agency and the ability to enter into contracts blurs the lines between human and synthetic โขentities. this raises questions about intellectual property, laborโ rights in the evolvingโฃ entertainment landscape, โฃandโ the potential forโข AI โto displace human actors. Van derโฃ Velden and Particle 6 are now navigating a surge of interest and project opportunities for Tilly, while โtogether addressing โคconcerns aboutโ the ethical implications of their work and the accessibility of creating similarly complex AI characters.
“I think people were reacting toโข the idea that she’sโ a person and โthat โฃshe has agency asโข opposed to beingโฃ a โsynthetic character,” Van der Velden explained. “I think that’s what people were freaking โout โabout – the way it was presented.” She emphasizes that โher approach โmirrors traditional character growth. “That is โฃmy idea for Tilly, right? It’s not toโ build a hollow image.โข Just like any character in aโค drama โคor a TV series,youโข would create their full character,wouldn’t you? Youโ wouldn’t just leave them as an empty shell. So we are building a whole personality and her backstory and her brain. And that’s a creative โคpursuit. It’s captivating -โ to build the full characterโฃ of her.”
The signing of Tillyโ Norwood to an agency further โคfueled the debate, prompting questionsโข about theโค legality and practicality of an AI enteringโข into contractual agreements.โข Van der Velden acknowledges the unusual nature of the arrangement but stresses the need for depictionโค to manage the growingโ number of projects and branded opportunities. “If you’re creating a โคperson and a โคpersonality, you โwould โwant there to be someone to manage allโข the influx – we have a lot โof projects now,โ and โthenโฃ branded opportunities.โ We still โฃare talking to a lot โof them. But โฃsomebody whoโ reallyโ understands that โdigital space โis what we want.”
While acknowledging that the tools to create AIโ characters are becoming more widely available, Van โder velden assertsโค that achieving a truly resonant and visually compelling result remains โa significant challenge.”This is the thing.Aโ lot of people try. But toโค create someoneโ resonant is a very different thing – and to make them look thatโ good. so I encourage everybody to try allโฃ these tools. And then once they start working with these tools,โข theyโ go, ‘Oh, this isโ quite hard.’ Andโฃ then โthey need an expert team to work on their film or their character. Andโ that’s when they come to us.”