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– Mrs. Mihova, tomorrow you’ll have an enormous live performance with the pianist Giulio Zappa within the “Bulgaria” Corridor. What do you do?

– I’m very glad that Giulio Zappa is making his first tour in Bulgaria with me. He’s a world-class artist and has participated in recitals with a few of the world’s greatest opera singers and it’s a actual deal with to make music with him. . The live performance is on the event of 145 years of diplomatic relations between Bulgaria and Italy and with the invitation of the Italian ambassador, HE Giuseppina Dzarra and the Italian Cultural Institute in Sofia. This system is totally Italian, very elegant and creates a wonderful environment. We current chamber arias by the perfect Italian opera composers.

– What sort of music do you favor for chamber live shows with piano accompaniment?

– I’m very keen on chamber music and I attempt to current a brand new program to the Sofia public at the very least annually. I all the time select works related by a typical theme, telling a narrative, creating a whole temper and presenting new, unknown or unknown features of chamber music and opera singing.

– How do you deal concurrently with the function of Abigail from Verdi’s “Nabucco” and bel canto composers similar to Bellini, Rossini, Donizetti? Is not it an enormous problem to maneuver from one to a different?

– I deal with the whole lot like bel canto. For me, bel canto is not only a method in opera, it’s the entire which means of singing and talking. The dramatic bel canto operas have a terrific affect on Verdi’s early works, that is additionally the topic of my doctoral thesis. Verdi was vastly impressed and influenced by Donizetti and Bellini, in addition to Rossini, who was the daddy of bel canto. Verdi and Rossini had a sophisticated relationship, and though they didn’t know one another personally, Rossini’s opinion was essential to Verdi and he was desirous to get his approval. On this sense, I select to all the time have a look at new instructions in my repertoire with the thought of ​​bel canto, but in addition with the concept every new aria, every new function wants new tuning of the instrument.

– Are you going to take part in opera live shows at house and overseas?

– Earlier than the tip of the yr, I’ve two essential debuts on the Sofia Opera. I’m particularly glad that my first appointment in Sofia comes at this very second in my path as an artist. I really feel filled with power and filled with confidence, and the opera home in Sofia is like my native house, I grew up on this theater and I all the time knew that singing on the high- her flooring on the proper time. On this sense, I’m glad that maestro Plamen Kartalov, who was additionally my performing professor on the Nationwide Academy of Arts, invited me to look within the function of Violetta in “La Traviata” – function symbolic of my mom, for whom the maestro created considered one of his greatest performances on the Sofia Opera. He additionally makes his debut as Alice Ford in Verdi’s Falstaff. These invites got here after Academician Kartalov heard me in Sir Brin Terfel’s live performance with the Sofia Philharmonic and Maestro Nayden Todorov.

– How did Sir Bryn Terfel select you for his live performance on the “Bulgaria” Corridor, which was in the beginning of the yr?

– On the advice of maestro Nayden Todorov, who gave him my recordings and he preferred me and selected me as his accomplice. He was on the lookout for somebody with my voice and temperament for this program and I’m very grateful that this live performance is my first time with the Sofia Philharmonic.

– Do you could have a favourite live performance, one which stayed in your thoughts as the perfect?

– Undoubtedly the live performance with Bryn Terfel, it was a complete present. One other valuable second for me was the efficiency of Solom Rossini’s Little Mass on the Sorbonne Corridor in Paris in 2018. However the fact is that it’s tough for me to rank. I really like each present I put my power and inspiration into.

– What did participation in Raina Kabaivanska’s grasp courses provide you with?

– For me, Raina Kabaivanska is my second opera mom. She supplied the final word route in my improvement, she turned my perspective to a beforehand unimaginable repertoire. Her presence in my artistic life is invaluable and I really like her very a lot. She is a large universe of encouragement, love, care and on the similar time knowledge and power so younger. I really like her humorousness and her dedication to the youth.

– Do you could have your first reminiscence of singing?

– My mom has the primary reminiscence of me singing, as a result of it was utterly unconscious, probably it was earlier than I turned one, however my mom all the time says, even earlier than b ‘ I can communicate, that I used to be repeating a tune.

– What are a very powerful classes of your mom?

– All classes – on life, on femininity, on singing. Every thing I do know I discovered from my mom, and I’ll not stay lengthy sufficient to be taught the whole lot she is aware of. She is my greatest inspiration, my most encouraging critic, my closest particular person, she shouldn’t be solely my mom but in addition my good friend and now we have a robust bond. I can not wait to start out engaged on La Traviata.

– Have you ever ever been in comparison with your mom – Darina Takova? How do you are feeling in such instances?

– There have all the time been comparisons, some with good intentions, some not a lot. I do not evaluate myself to my mom. I am simply happy with it. I really like that we’re very, very completely different – in look, in voice kind, in temperament, in artistic route and profession time. I can not recover from the truth that she would not sing anymore, that there are roles left as a result of she did not get sufficient time on stage. That is my nice ache, but in addition nice encouragement. I am simply singing for the 2 of us now.

– How are the 2 completely different and the way are you comparable?

– We’re completely different on many, many issues. I do not even appear to be her, I am a carbon copy of my father. We’re comparable when it comes to nice feminine power, immobility, excessive calls for, first for ourselves, after which for others. We’re a unbelievable group.

– Your schedule is so busy. Do you could have any free time in any respect? And what do you love to do when you don’t have any commitments?

– I’m very glad that I’m very busy. I really feel helpful, I really feel grateful that the time of the large cease is behind me. I like probably the most odd issues – social media, cleaning soap operas, air, cooking. These are the actions for lazy days. For me, leisure is a very powerful factor in work. In that, the whole lot falls into place.