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Sydney Sweeney Defends ‘Christy’ Despite Poor Box Office

Sydney Sweeney Addresses ‘Christy‘s’ Disappointing Theatrical Run, emphasizes Film’s impact

Sydney Sweeney‍ publicly addressed the box office performance of her critically acclaimed film “Christy,” emphasizing the movie’s focus on ‍raising awareness for domestic violence despite its financial struggles in American theaters. The film, which chronicles the​ life and abuse endured by boxer ​Christy‍ Martin, was‌ released by black Bear Pictures for $15 million but failed to resonate with​ audiences, joining a recent trend of festival⁤ favorites underperforming ​commercially.

Sweeney took to Instagram to express her ⁣pride in the project, stating, “We don’t always just make art‍ for numbers, we make it ⁤for impact,” and calling “Christy” “the most impactful project of my⁢ life.” the film’s⁤ release comes⁤ at​ a time when domestic‌ violence remains⁤ a pervasive issue,‍ affecting millions.⁣ While‍ box office⁤ success is a key metric in Hollywood,⁢ the film’s producers hoped its powerful ‍message would reach a⁢ wider audience and‌ perhaps offer ‌support to ​those experiencing similar situations.

Directed by David Michôd ​and co-starring Ben⁣ Foster, Merritt ‌Weaver, and Katy O’Brian,⁢ “Christy” details Martin’s ‍boxing career and the attempted murder by her husband and coach.Variety’s chief​ film critic Owen Gleiberman lauded Sweeney’s performance as ‍”transformative” ⁣and described ​the film as a “wrenching portrait of abuse, enabling, gaslighting, ‌and just how far domestic violence can go.”

Sweeney further explained in her post‌ that‌ the ⁢team‍ behind “Christy” signed on‍ believing Martin’s story “could save lives,” and that ⁢if the film gave “even one woman the courage to take her first step toward safety,⁢ then ⁣we ⁢will have succeeded.” Black Bear Pictures has mitigated potential losses by selling rights to the‌ film in several overseas territories. ⁢

“Christy” now joins films like “Die My ‍Love,” ​”Springsteen: deliver Me From Nowhere,” and “The Smashing Machine” as recent examples of critically ⁣praised self-reliant films that “failed to connect at ‌the‌ box⁢ office,”​ according to Variety.

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