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Spanish TV Classic ‘Cateto a Port’ Shatters Viewing Records

Spanish Comedy “Cateto a Port” Claims Title of Most-Watched Film Ever⁢ on Spanish Television

Madrid,Spain – In a surprising upset to Hollywood blockbusters,a 1970 ​Spanish comedy,Cateto a ⁤port (roughly translated as “Greenhorn ‍to ⁢the Navy”),has been revealed as the most-watched film⁤ in the history of Spanish ​television. the broadcast on⁣ La 1 on April 26th, 2025, drew an average​ of‌ 10,041,000 viewers, surpassing previous ‍records held by American‍ classics.

The film, starring ⁤Alfredo Landa, follows a naive young⁣ man’s misadventures ⁣after reluctantly joining the Navy to avoid military service and care ⁤for his brother. its simple,⁣ family-friendly humor and depiction of life within the‍ Spanish Navy resonated with a massive audience, achieving​ a 38.7% share – a rare⁤ feat in modern Spanish television where programs exceeding 15% are considered ⁣highly prosperous.

While a record-breaking number, context‌ is crucial. Television audience measurement in Spain began in 1986, meaning earlier broadcasts, even of potentially popular⁢ films, weren’t officially tracked. ⁢Prior to audiometers, the General Media Study⁣ (EGM) used interviews to estimate viewership starting ⁤in 1968. This suggests‌ that ​films aired in⁣ the​ 1970s and 80s may have drawn even larger crowds when television was the primary form of entertainment for many Spaniards.

Cateto a port‘s success contrasts with the trend of more aggressive comedies that ‌emerged later in the 1970s. Its conciliatory ⁢tone,typical of ‌the late Franco dictatorship,contributed⁢ to its initial box office success and enduring appeal.

Other films ‍that have ​achieved high viewership numbers include Clint Eastwood and Shirley ‍McLaine’s Two‌ Mules⁢ and a Woman (9,598,000 viewers), the ​Priest’s son starring Fernando‌ Esteso (9,287,000 viewers), Pretty‍ Woman (9,223,000 viewers – broadcast in 1994), and ⁤ Dirty Dancing ​(9,110,000 viewers).Notably, these high-performing broadcasts largely occurred ⁢in 1992 (with the exception of Pretty ⁢Woman), suggesting a general ‍increase in television viewership in the⁤ early 1990s despite the rise of private​ television⁤ channels.

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