Sounds Of Sirin: A Deep Dive – Reimagined
“Owlwulf” is a striking track, both raw and refined. How did it come together and what’s behind the name?
That’s splendid to hear, thank you! The genesis of “Owlwulf” lies in childhood memories. I frequently enough spent time playing in the woods behind my house, and the song attempts to capture that feeling - the imagined creature that haunts your imagination when you’re a child, alone in the perceived “darkness” of the forest. Its a primal, slightly unsettling energy I wanted to evoke.Sounds Of Sirin frequently enough leans into spiritual and organic aesthetics.How do you see your music fitting into that sonic family?
For me, the appeal of these “organic genres” is the sheer creative freedom. It’s about diving into a world of diverse acoustic instruments, drawing inspiration from cultures across the globe, and then bringing that richness back to the dancefloor. It’s about creating a space where people can connect and move together – a true “sonic family.”
Drumming circles and Saharan melodies are deeply communal. How do you translate that kind of energy into solo studio work?
Music, like literature or film, possesses the power to transport us to different worlds. Sometimes we experience these journeys collectively, but there’s also a profound beauty in solitary exploration. The studio becomes a personal landscape,a space for individual travel and discovery.
Do you consider your music a form of storytelling? If so, what kinds of stories are you trying to share?
That’s a thoughtful question. I tend to view my music as more of a transient, spiritual experience than a narrative with a clear beginning and end. My greatest joy comes from witnessing the individual interpretations listeners bring to the music – the feelings they experience, even if those weren’t my initial intentions. It’s about sparking something within them.
What’s your process like when starting a new track? Do you begin with field recordings, percussion, melody or something more abstract?
I actively try to delay opening my laptop! I find the most inspiration comes from simply playing. I’ll often record guitar ideas into my voice notes, or spend hours jamming on my Fender Rhodes, which I acquired a couple of years ago. It’s about letting the music emerge organically.
There’s a strong emotional pull in your music, even in instrumental form. What role does emotion play in your production choices?
I believe that for anyone involved in creating music, it all begins with a reflection of personal emotion. The process is inherently tied to how you’re feeling. Some days the results are shining and uplifting,while others lean towards a darker,more introspective tone. It’s about allowing those emotions to guide the creative process.
As someone drawing from different cultural sources,how do you navigate authenticity,respect and creative reinterpretation?
We are all,fundamentally,products of our environments. I believe in the power of mutual learning,embracing both our shared experiences and our unique differences. It’s about contributing to a collective creative journey that pushes boundaries and expands our understanding.
Were there any sounds, instruments or voices you heard during your travels that you’re still trying to recreate or work into future releases?
I strive to record all instruments myself, which admittedly limits the sonic palette due to my current skill level. However, I’m convinced there are endless possibilities for creating new textures and flavors even within a relatively modest setup. The challenge is exciting.
Do you see your music as part of a larger conversation between continents, genres or generations?
Absolutely. I believe music – and art in general - can serve as a powerful bridge between diverse dimensions. My father’s love for 70s blues rock and my own early captivation with 90s rap, for example, demonstrate how seemingly disparate genres can share common roots. If my music can find its voice within that ongoing conversation, I would be deeply honored.
What’s been the most surprising reaction you have received to your music so far?
Someone recently told me they listened to my music for three hours straight in the car! It surprised me to realize I’d already created enough material for such a long listening session. It still feels like I’m just at the beginning of this journey.
Looking ahead, are there new territories, geographically or sonically, that you feel drawn to explore?
Definitely. Book me for a world tour - I’m ready! Beyond that, I’m eager to continue pushing my sonic boundaries and exploring new avenues of expression.The possibilities feel limitless.
