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New Music Friday Guide: Gracie Abrams, Steve Lacy, Carly Rae Jepsen and More

July 18, 2026 Julia Evans – Entertainment Editor Entertainment

Gracie Abrams leads a packed New Music Friday with her third studio album, Daughter From Hell. The release arrives alongside major projects from Rick Ross, Steve Lacy, and Buju Banton, while Carly Rae Jepsen anchors the week’s singles with “After All,” signaling a heavy shift in industry output.

The Strategic Rollout of Daughter From Hell

Gracie Abrams continues her ascent in the pop landscape with Daughter From Hell, a 16-track project that leans into the moody, introspective songwriting that defined her previous work. The album marks a significant creative pivot by incorporating producer Dan Nigro alongside her established creative partner, Aaron Dessner. The rollout, supported by singles “Hit the Wall” and “Look At My Life,” reflects a tightening of the artist’s commercial positioning as she moves deeper into her third studio cycle.

The Strategic Rollout of Daughter From Hell

Genre Diversity and the Streaming Landscape

While Abrams dominates the pop conversation, the week features notable entries across genre lines, including Rick Ross’s Set in Stone, Buju Banton’s Too Too Bad, and Francis Mercier’s Afro-house project, Lakay.

First impressions review of Gracie Abrams’ “Daughter From Hell” #musicreview #gracieabrams #newmusic

Singles Momentum and the Double Album Strategy

Carly Rae Jepsen is currently leveraging the “Day and Night” double album format, a strategy increasingly used by artists to extend their streaming presence over a longer window. Her new single, “After All,” serves as a bridge for the “Night” side of the collection. This follows the momentum of breakout star Bella Kay, whose track “I Deserve Better” continues to gain traction following the July 12 release of her debut album, My Reckless Abandon.

The sheer volume of releases from artists like Tinashe (“Crash Out”), Kelly Clarkson (“I’d Be Lyin”), and Lil Baby (“Dead Fresh”) highlights the competitive nature of the Friday streaming ecosystem.

Industry Metrics and the Future of New Music

Whether it is Masego’s soul-baring Fix Your Face or the country-harmonica fusion of Wyatt McCubbin’s “Andy Griffith,” the success of these projects is measured less by traditional physical sales and more by long-term streaming velocity and social media conversion.

As the poll on Billboard remains open, the industry watches to see which of these projects secures the most significant long-term audience retention.

Disclaimer: The views and cultural analyses presented in this article are for informational and entertainment purposes only. Information regarding legal disputes or financial data is based on available public records.

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