Maria kataeva Shines as Carmen in Seville‘s Maestranza Theater
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Seville,Spain – June 13,2025 – Maria kataeva delivered a stellar performance as carmen at the Maestranza Theater in Seville,captivating audiences with her vocal prowess and nuanced portrayal of the iconic character. the performance, part of the theater’s season-closing program, commemorated the 150th anniversary of Georges Bizet‘s renowned opera, carmen.
A French Opera Celebrated in Seville
Bizet’s Carmen, eternally linked with Seville through Prosper Mérimée’s novel, remains a cornerstone of the operatic repertoire. The Maestranza Theater’s decision to feature the opera underscores its cultural significance. However, the production, directed by Emilio Sagi and originating from the Auditorium of the Diputación de Alicante (ADDA), faced challenges in adapting to the Maestranza’s unique space [[SOURCE]].
The stage design, also managed by Daniel Bianco, was minimalistic, featuring chairs, a red-covered floor, and a screen projecting sky images. While Sagi’s direction of the actors and Eduardo Bravao’s lighting design were commendable,the overall scenography was considered underwhelming for the venue. Pedro Chamizo’s videoprojection design, though appreciable, was deemed excessively monotonous [[SOURCE]].
Did You Know? The Teatro de la Maestranza, opened in 1991, was designed to integrate seamlessly with Seville’s historic architecture, reflecting the city’s rich cultural heritage [1].
Musical Triumphs and Challenges
Maria Kataeva’s portrayal of Carmen was the undisputed highlight of the evening.Her vocal work was impeccable, and she skillfully embodied Carmen’s rebellious spirit without overemphasizing the character’s sensuality. Kataeva’s command of the stage, particularly in the Tavern of Lilas Pastia scene and the tarot card reading scene, showcased her mastery of the French operatic style [[SOURCE]].
Piero Pretti, as Don José, faced challenges with French diction, occasionally imbuing his performance with an Italianate flair that clashed with the opera’s tone. While his vocal power was evident, his rendition of “The flower you threw me” lacked the desired finesse. Giuliana Gianfaldoni,as Micaela,delivered a noteworthy performance,capitalizing on her aria opportunities with a less sentimental portrayal than typically seen.Dalibor Jenis’s Escamillo, though, was considered underwhelming, lacking emotion and failing to impress in the famous bullfighter song [[SOURCE]].
Ensemble Excellence
The supporting cast, including Mercedes arches, Anna Gomá, Pablo Gálvez, and Pablo García López, delivered excellent performances as Carmen’s friends and the bandits. Javier Castañedo also stood out as Zúñiga. The Maestranza Theater Choir, under the direction of Íñigo Sampil, showcased their vocal prowess and stage presence, complemented by Cristian Lozano’s dancers. The Escolanía de los palacios also contributed considerably to the production [[SOURCE]].
Musical Direction and Orchestra
Jacques Lacombe‘s musical direction was characterized by elegance and moderation, maintaining a distinctly French tone. The Real Symphony Orchestra of Seville (ROSS) provided a vibrant and rhythmic foundation, enhancing the performance despite the production’s shortcomings [[SOURCE]].
Pro Tip: Experiencing opera in Seville offers a unique cultural immersion, blending the city’s vibrant atmosphere with world-class performances.
Cast and Production Details
| Role | Performer |
|---|---|
| Carmen | Maria Kataeva |
| Don José | Piero Pretti |
| Micaela | Giuliana Gianfaldoni |
| Escamillo | Dalibor Jenis |
| Stage Director | Emilio Sagi |
| Musical Director | Jacques lacombe |
How do you think modern opera productions can balance tradition with innovative staging?
What elements make a performance of carmen truly memorable?
