Kim Sae Rom Opens Up About Lingering Divorcee Label A Decade Later
Korean broadcaster Kim Sae Rom opened up about her career and the persistent “divorced woman” label that has followed her for a decade in a YouTube video released on September 2. Marking her 22nd year since debut, she reflected on public perception, working steadily in home shopping and personal channels, and leaning on early advice from veteran broadcaster Kim Yong Man to sustain her longevity in the entertainment industry.
Marking 22 Years in the Industry Without a Real Break
Celebrating more than two decades in show business, Kim pulled back the curtain on her daily life and work ethic in a YouTube video published on September 2. The broadcaster pushed back against public assumptions that she had stepped away from the spotlight. According to the sources, she stated, “From others’ perspective, it might seem like I took a break, but whether it was home shopping or my personal channel, I have always been working somewhere and have never actually rested.”
Confronting the Decade-Long “Divorcee” Label
The conversation turned to the personal and professional hurdles of living under a persistent public moniker. Kim married chef Lee Chan Oh in 2015, and the couple announced their divorce roughly a year later. Ten years after that separation, Kim addressed how the tag continues to follow her career trajectory.
As reported in the sources, she explained, “To cover one frame, you need a bigger frame, and since I didn’t engage in any representative activities that could leave a strong impression, it’s true that I haven’t escaped that label.” She added a mature perspective on public reaction, noting, “While dislike and understanding are different, I do understand that situation.” Rather than forcing an aggressive PR push to dispel the narrative, she voiced an intent to let her ongoing work slowly shift public perception.
The Guidance That Built a Two-Decade Career
Sustaining a twenty-two-year career in the fast-paced Korean entertainment landscape demands resilience. Kim credited veteran broadcaster Kim Yong Man for foundational advice she received early on while working on Section TV Entertainment News. Recalling his words, she noted he told her, “Don’t rush, but don’t get tired.”
That phrase served as her primary anchor through professional hardships. Looking toward the future, Kim compared her career trajectory to a “permanent manager” in the broadcasting world—someone who may not occupy the highest tier of the spotlight, but who maintains a reliable, approachable presence. That unflashy, steady ambition earned widespread warmth and support from viewers as she enters her third decade in the industry.
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