Glen Powell stars in “How to Make a Killing,” a darkly comedic thriller directed by John Patton Ford, which premiered February 21, 2026, and is already drawing comparisons to films exploring themes of wealth and morality. While the film benefits from strong performances, particularly from Powell and Margaret Qualley, critics suggest it struggles to fully commit to a singular tone, resulting in a somewhat disjointed experience.
The film centers on Becket Redfellow, portrayed by Powell, an individual poised to inherit a substantial fortune. However, his path to wealth is complicated by the existence of seven remaining family members. Becket’s childhood is marked by the knowledge of his future inheritance, a fact emphasized by his mother’s ostracization from her own family for marrying outside of their social circle. As an adult, working a modest job, Becket encounters Julia (Qualley), a friend from his past, who prompts him to actively pursue his inheritance, leading him down a path of calculated elimination.
A key criticism leveled against the film, as noted in reviews, is Ford’s reliance on extensive narration. Rather than allowing the actors’ performances and visual storytelling to convey the narrative, the film frequently employs Powell’s voiceover to explain events unfolding on screen. This approach, some critics argue, undermines the subtlety of the performances and diminishes the impact of key scenes. The film’s tonal ambiguity is also a point of contention, with reviewers suggesting it vacillates between black comedy and a more serious exploration of wealth’s corrupting influence without fully embracing either.
Despite these shortcomings, performances are consistently highlighted as a strength. Powell is praised for his versatility and charm, continuing a streak of well-received roles. Supporting actors Bill Champ and Ed Harris deliver notable performances as elder family members, while Zach Woods shines as Noah Redfellow, an artist whose work is enabled by his family’s wealth. Topher Grace also receives commendation for his portrayal of Steven Redfellow, a financial fraudster turned megachurch pastor.
The narrative structure, where past events directly influence present-day consequences, has also drawn scrutiny. The film establishes a clear connection between Becket and Julia’s youth and their reunion as adults, but some critics find this connection feels contrived, diminishing the impact of the plot’s unfolding events.
Reviewers note that the film initially presents itself as a tragedy, a framing device that ultimately feels somewhat unfulfilled. While “How to Make a Killing” offers moments of entertainment, its lack of focus and reliance on exposition leave it feeling ultimately forgettable, despite its promising premise and strong cast. The film received a rating of 3/5 from The Dominion Post.
