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Gus Van Sant Talks ‘Dead Man’s Wire’ and River Phoenix Memories

Filmmaker Gus Van Sant Reflects on River Phoenix, the Evolution of Cinema

LOS ANGELES – Director Gus Van Sant recently discussed his 1991 film‌ My Own Private Idaho,⁤ and his memories of ‍its star, River Phoenix, alongside broader reflections on the ​state of filmmaking in a new interview. The conversation highlighted Phoenix’s unique upbringing and viewpoint, and Van Sant’s own evolving approach to storytelling.

Van Sant described phoenix as having a remarkably different worldview due to his isolated, homeschooled ⁢education. “He didn’t have​ a‍ lot of teaching that he knew about concerning war. His homeschooling consisted of, like, no​ war. So characters like General MacArthur weren’t in‍ his world – he didn’t‌ no who ​they were.” He also noted Phoenix’s late discovery of humor, explaining,​ “He ‌didn’t know what, like, a⁤ quote-unquote joke was, until he was nine, he said.” Phoenix first encountered jokes in a public school setting, finding them “like ⁤a foreign‍ thing.” Van Sant also ​recalled Phoenix revealing he didn’t believe ​he possessed a smile, ⁣only to demonstrate it, a smile rarely seen ⁤in his‌ films. “He had this interesting thing – for a movie star,⁣ an interesting absence of that⁢ kind of ⁤giant smile. But meanwhile, he was very ‌funny, and his most favorite thing was just to laugh ‌and tell stories.”

The interview ⁢also touched on Van Sant’s two academy award nominations for Good Will Hunting, recalling waking up to ⁤numerous phone calls announcing the⁣ nominations and⁣ a memorable, fog-filled ceremony. “At the ceremony for ‘Good Will Hunting,’ ‍they unveiled⁣ this ⁣huge Titanic ship set, and fog rolled ‍out everywhere. I​ got so sick sitting⁢ there, I swore I’d never⁢ use fog on my sets again.”

Addressing concerns⁢ about the future of ⁣cinema, ⁢Van sant dismissed the notion of its “death,” stating, “Movies⁣ always follow technology⁣ – from nickelodeons ⁣to ‍iPhones. What matters is‌ the gathering, that communal experiance. The art form isn’t dying; its just shifting.” He‌ likened the current moment⁢ to the early ​days of cinema, a period ⁣of experimentation and discovery.

Van Sant confirmed he ‌is actively developing new projects,⁢ including work⁤ on a Gucci project and six hours of “Feud,” and has⁢ “hundreds ‍of ideas” in development. ⁣He noted that some projects,like Milk,can take decades to come to fruition,but remain possibilities. “They’re there, waiting.”

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