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Entertainment

Tom Hardy & Charlie Cox’s Early-Career Psychological Thriller Is A Hidden Gem On Prime Video

by Julia Evans – Entertainment Editor December 6, 2025
written by Julia Evans – Entertainment Editor

Overlooked Tom hardy & Charlie Cox‍ Thriller Gains New Attention on Prime ‌Video

A ⁢psychological thriller ​featuring early performances⁣ from Tom hardy and Charlie Cox is experiencing a resurgence in ‍interest after landing on Prime Video. “Dot the I,”⁤ released in 2005, was largely overlooked during its initial run, earning just $307,000 at​ the box⁤ office, but has found a champion in the late film critic Roger Ebert, who praised its “wonderfully elaborate ‌love story” and unpredictable plot twists.

The film’s rediscovery comes as both Hardy and Cox​ are established stars, offering audiences a rare opportunity to see them in formative roles. While critically ⁢panned overall-currently holding a 25% critic score on Rotten Tomatoes-Ebert’s positive review and the⁣ film’s intriguing premise are‌ drawing new viewers to the streaming‌ platform. “Dot the⁣ I” presents a compelling case for revisiting under-the-radar gems and appreciating early work from now-prominent actors.

“Dot the I”​ premiered at the 2003 ⁣Sundance Film Festival before a limited theatrical release in the United States in March 2005. Despite its modest box office performance, the film garnered attention from ⁢several critics, most notably ⁢Ebert. He awarded the film three stars, ⁣acknowledging its initial strength as a love story before it veers into unexpected territory. ‍

Ebert noted the film’s escalating surprises,​ stating it delivers “and then another surprise, and another.” He admitted the final 10-15 minutes required ⁣”a great deal ⁣of patience wiht the filmmakers, as they riffle through the ⁣plot like a riverboat gambler with aces up his wazoo,” preventing a coveted fourth star. While Ebert’s praise stood somewhat alone-Richard Roeper and a few others​ also⁢ offered positive assessments-the film remains⁣ a relatively obscure entry in both actors’ filmographies.

For viewers‍ intrigued by an early Hardy/Cox collaboration, “Dot ⁣the I” offers a twisted and⁤ engaging watch, showcasing the actors’ talents before they achieved widespread recognition.

December 6, 2025 0 comments
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Entertainment

Japanese Animation Box Office Surge: Why ‘Gwiju Top’ Films Are Trending

by Julia Evans – Entertainment Editor December 6, 2025
written by Julia Evans – Entertainment Editor

Japanese ‌Animation Dominates Korean Box Office,Reflecting Shifting​ Fandom Power

SEOUL – A surge in ‌popularity‌ for Japanese animated films​ – dubbed the “Gwiju Top” consisting of Demon Slayer,Chainsaw Man,and Spellbound: Death Retreat – has dramatically reshaped the Korean box office this year,attracting a dedicated 2030 generation fanbase and prompting a re-evaluation of theatrical distribution strategies.⁢ spellbound: Death retreat opened to crowded theaters⁤ and ​topped advance sales, continuing a trend established ⁤earlier this year.

The success builds on the momentum of Demon Slayer: Infinity Edge, which drew 540,000 viewers on its opening day⁣ and‍ ultimately‌ amassed 5.66 million viewers ⁤nationwide. Chainsaw Man: Reze version followed,reaching 3.3 million viewers. ​This ‍wave of popularity signals a broader acceptance of “otaku”⁢ culture, now considered a mainstream force driving theatrical attendance, according to Gu Bon-seung, representative of the import company for Demon Slayer: Infinity Edge.”We have already moved beyond the period when we talked about ‘otaku’ culture very limitedly, and‍ that fandom culture has now become popular and is leading⁢ the public…”

The films resonate with a generation born in the 2000s, who‌ grew up with these comics and their animated adaptations. Viewers like Lee Dong-hee explain the⁤ appeal: ‍”I think our age group had⁣ a preference for the ‌kind of feeling that only animation can create, and because we were more exposed ⁢to the original cartoon…”

Despite similar plot structures – an unknown threat to humanity and a protagonist gaining powers to fight back – the films’ appeal extends beyond narrative. Audiences are drawn to the intense action sequences and morally ambiguous characters. “If you fight mercilessly, dopamine explodes…” noted Kim Byeol, a moviegoer. Kang Yu-sin added,⁤ “Rather than encouraging and punishing evil, even bad guys‍ were actually good⁤ guys (there are many of them).”

The accessibility of the source material via OTT platforms has lowered ‍the⁣ barrier to ⁤entry ‍for theatrical viewings, while the‍ desire for a high-quality cinematic experience and repeat viewings – mirroring the practice of rereading favorite manga – are⁤ driving attendance. “Because action ‍scenes have a lot of content…” said Kang Yu-sin,⁤ while Lee dong-hee cited “the desire to see a spectacular production ⁢in ‌a good theater…”

This success suggests a ⁣shift in ⁣the Korean film market, indicating a need to prioritize catering to dedicated fandoms over relying solely on films intended for‌ broad national appeal, particularly as the number of films reaching 10 million viewers domestically has declined.

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Entertainment

Title: Liberty – “Call Me Back, Babe” Single Release & New Music

by Julia Evans – Entertainment Editor December 6, 2025
written by Julia Evans – Entertainment Editor

Liberty Announces new Single, “Call Me Back, Babe,” Following Chart Success

Auckland, new Zealand – Rising artist Liberty is set to release her fourth single, “Call Me Back, Babe,” on December 5th, 2025, building​ on a rapidly growing fanbase and recent chart achievements. The announcement comes as Liberty continues to gain momentum wiht​ over 350,000 followers across​ TikTok and Instagram.

The forthcoming release follows the success of her debut‌ single, “I Wanna,” which garnered over 110,000 streams and received radio play on‌ ZM, The ⁣Edge,⁤ and Radio NZ. Liberty’s ⁣music⁣ previously reached​ #5 on the Hot NZ Singles ‌Chart, demonstrating a⁣ clear⁣ connection with New ⁤Zealand audiences and positioning her as an artist to watch. “Call Me Back, Babe” represents the next step in ⁣her burgeoning ⁣career, promising⁢ to further solidify her presence in the competitive music landscape.

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Entertainment

Godmother of the 2025 edition, the Nice singer Santa makes an “unprecedented” donation of 100,000 euros to the Telethon

by Julia Evans – Entertainment Editor December 6, 2025
written by Julia Evans – Entertainment Editor

Nice Singer Santa Donates €100,000 to Telethon, cites “Immense Obligation” as Godmother

NICE, FRANCE – December 6, 2025 – Santa, the celebrated singer from Nice, has made an “unprecedented” donation of €100,000 to the Telethon, funds generated from a recent tour. The contribution will directly support research into rare diseases, a cause the artist has passionately championed in her role as godmother of the 2025 edition.

This significant gift arrives at a critical juncture for the Telethon, as research into rare genetic conditions – including myopathies – demands meaningful and sustained financial investment. The high cost of laboratory work and the lengthy timelines involved in developing potential treatments necessitate ongoing public and private support.Santa emphasized the importance of maintaining momentum in both fundraising and public awareness during a recent broadcast.

Santa explained the donation was specifically intended to “run up the meter,” ensuring continued mobilization of public support for the cause. She repeatedly described her role as godmother as an “immense responsibility,” stating she is committed to dedicating “all his rage” to families affected by these challenging diseases.

The Telethon, a yearly fundraising event, supports research aimed at finding cures and treatments for rare genetic diseases that affect thousands of individuals and families across France and beyond. The funds raised are vital for maintaining research programs and providing support to those living with these conditions.

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Entertainment

the danger that Sofia runs with Ellen’s return

by Julia Evans – Entertainment Editor December 6, 2025
written by Julia Evans – Entertainment Editor

Ellen‘s Return Puts Sofia in Peril as ‘Dona de Mim’ Plot thickens

São Paulo, Brazil – December ⁢6, 2025 – The ‍unexpected reappearance of Ellen (Camila Pitanga) has thrown Sofia (Alice Wegmann) into a risky situation, escalating tensions within the narrative of TV Globo’s “Dona de Mim.” As ⁣secrets unravel⁣ and⁤ alliances shift, Sofia now faces a direct threat from ​the woman she believed was dead, perhaps jeopardizing her ​carefully constructed life and exposing long-held truths.

The revelation⁢ that Ellen ⁤is alive-following her presumed death-fundamentally alters the power dynamics within the series.Sofia, who has been navigating a complex web of ‍relationships ⁣and deceit, now finds herself⁣ directly in the crosshairs of a ‍woman with a​ vested interest in dismantling her world. The storyline,currently unfolding in chapters 8 thru 13 of the week’s events,depicts Tânia (Aline Borges) severing ties with Vanderson⁣ while together forging a connection with Jaques,adding⁢ further complexity to the unfolding drama.

The implications of Ellen’s return extend beyond Sofia,⁢ impacting characters like Clara Moneke’s Leo,⁣ whose home life has ⁤recently come under scrutiny. As the plot intensifies,​ viewers can anticipate a confrontation between ⁤Sofia and Ellen, with potentially ‌devastating consequences for all involved. The series continues to air on TV Globo, promising a volatile and unpredictable trajectory as the truth about Ellen’s survival and her motives are⁤ revealed.

December 6, 2025 0 comments
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Entertainment

Frank Gehry: maximalist master who created instant icons like the Bilbao Guggenheim | Frank Gehry

by Julia Evans – Entertainment Editor December 6, 2025
written by Julia Evans – Entertainment Editor

Frank​ gehry, ​Architect of the Guggenheim Bilbao and design icon, Dies at 95

Frank Gehry, the Canadian-American​ architect whose groundbreaking designs-most notably ‍the Guggenheim Museum Bilbao-transformed ‌cities and redefined 21st-century architecture, has ‍died at age 95. His death marks the end of an era for a figure who⁤ consistently challenged architectural norms and created instantly recognizable landmarks around the globe.

Gehry’s influence extends beyond ⁤aesthetics; he democratized architectural expression,proving ⁣buildings could be art,and art could be accessible. His passing prompts reflection on his⁤ legacy of innovation, his sometimes-contentious relationship with the profession, and the future of a field he ⁤profoundly shaped. The ‍architectural world ⁣now assesses the impact of his six-decade career and anticipates how his bold vision will continue to⁣ inspire future generations.

Born‌ in Toronto in 1929,Gehry initially⁤ pursued a ⁢career in​ business⁣ before discovering his ​passion for architecture. He became known for his deconstructivist style, characterized by titanium-clad curves, fragmented forms,‍ and a rejection of customary right angles. The 1997 opening ⁢of the guggenheim Museum Bilbao in Spain catapulted him to international fame, revitalizing the city and establishing the “Bilbao effect”-the idea that⁤ iconic architecture can drive‍ economic regeneration.

Beyond Bilbao, Gehry’s portfolio includes the Walt Disney Concert Hall in ⁢Los Angeles,‌ the⁤ Louis Vuitton Foundation in Paris, and the Dancing⁢ House in Prague. He also demonstrated a commitment to ‌more understated projects, such as the Maggie’s Center in Dundee, Scotland,‌ designed in 2003 as part of a network ‌of drop-in centers for those affected by cancer. Modeled‌ on a traditional Scottish “but and ben” dwelling, it featured a white cottage topped by a folded‌ metal roof,‍ resembling origami.

In later years, Gehry ⁤undertook projects like ⁤the terraforming of the Battersea power station environs in London, designing luxury⁢ housing, and a Serpentine pavilion, reconceptualized as a ⁢whirlwind in a lumber yard. Throughout his career, he remained⁣ a​ vocal critic of what he considered⁣ poor design, famously declaring in⁢ 2014, “In the ⁤world we live in 98% of ⁢what is built and designed today is pure crap. There’s no sense of design, no respect for humanity, just ⁣damn buildings.” He even offered a defiant gesture to an audience who accused him of ⁣designing “spectacle architecture,” later apologizing⁣ for the outburst.

December 6, 2025 0 comments
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