commonwealth Shakespeare Company’s “As You Like It” Offers a Warm, Egalitarian Vision – But Lacks Edge, Review Finds
boston, MA – The Commonwealth Shakespeare Company’s current production of Shakespeare’s As You Like It prioritizes the play’s inherent optimism, presenting a vision of an “egalitarian society” that resonates particularly strongly in today’s climate, according to a review published today by The Arts Fuse.Though, the production, directed by Steven maler, is noted for softening some of the play’s sharper edges and missing opportunities for deeper character exploration.as you Like It, a beloved Shakespearean comedy, traditionally explores themes of love, exile, and societal transformation.This production, staged in the open air, leans into the play’s inherent warmth and focuses on the exiled characters’ pursuit of a more balanced existence. The review, penned by The Arts Fuse editor-in-chief Bill Marx, highlights the production’s strengths while also pointing to areas where it falls short of fully realizing the play’s complex potential.Michael Underhill’s Orlando is described as a physically imposing, yet endearingly awkward suitor, and the wrestling match that launches his pursuit of Rosalind is staged with a playful, low-budget energy reminiscent of professional wrestling. A particularly memorable moment involves Rosalind seemingly healing Orlando’s dislocated arm with a touch, allowing him to win the match.
The supporting cast receives generally positive remarks. Paul Michael Valley’s Jaques is portrayed as a contemplative, rather than cutting, cynic, prompting the reviewer to question if this casting choice reflects a commentary on generational disillusionment. Similarly, John Kuntz’s touchstone, while funny, lacks the arrogant disdain the character is often known for. Remo airaldi delivers a grounded performance as Corin, the shepherd, while Jared Troilo’s Amiens boasts a powerful voice, though the reviewer suggests a need for more vocal nuance. Brooks Reeves’ Adam is noted for portraying a servant facing the realities of aging.
Marx acknowledges Maler’s intention to emphasize the play’s hopeful message, particularly its depiction of expats striving for a more equitable society. He notes this is a “useful vision these days, what with the outbreak of rampant cruelty among so many ‘hard hearts.'” However, the reviewer expresses a preference for stagings that challenge the script’s inherent optimism, finding this production too readily embraces its inherent sanguinity.
The review concludes by acknowledging a potential personal connection: Marx discloses having previously collaborated with John kuntz on Climate Cabaret: The Warm-up.
About The Arts Fuse: The Arts Fuse is an online magazine dedicated to covering arts and culture in Boston and throughout New England. Founded in 2007 by Bill Marx, it provides critical reviews, insightful commentary, and in-depth coverage of a wide range of artistic disciplines.
