Arizona Lady: Graz Opera’s Sparkling New Production | Emmerich Kálmán Review

Graz, Austria – A rarely performed operetta by Emmerich Kálmán, “Arizona Lady,” premiered at the Oper Graz on March 14th, marking the first Austrian staging of the composer’s final work. The production, which continues through June 20th, 2026, has been lauded for its vibrant staging and musicality, despite some performance challenges.

The operetta, completed by Kálmán’s son Charles after the composer’s death, received its world premiere in Bern in 1954, with an earlier Austrian performance also taking place in Graz that same year. “Arizona Lady” blends Western musical influences with traditional operetta and American dance styles like the foxtrot and shimmy, reflecting Kálmán’s years spent in exile in the United States. The story centers on Lona Farrell, a ranch owner, and her struggles to save her property, with a key element being a successful racehorse – the “Arizona Lady” of the title.

The production’s visual elements have been particularly praised. A multi-level, rotating set depicting a ranch and saloon was designed by Okarina Peter and Timo Dentler, alongside the operetta’s elaborate, glittering costumes. The Grazer Philharmoniker, under the direction of Kai Tietje, delivers a “stilsicher, schwungvoll und schmissig” (stylish, lively, and spirited) performance of Kálmán’s score, according to reports.

However, critics have noted unevenness in the vocal performances. Frederike Haas, in the role of Lona Farrell, reportedly lacked sufficient stage presence and vocal projection, despite amplification. Christof Messner, as cowboy Roy Dexter, was described as charming and possessing a strong singing voice. János Mischuretz portrays Donald McDumb, a character drawing parallels to contemporary figures like Donald Trump, while Corina Koller shines as Nelly Nettleton, an alcohol vendor. Ivan Oreščanin, Markus Butter, and Neira Muhic also deliver notable performances as Chester Kingsbury, Sheriff Harry Sullivan, and Bonita, respectively.

Kai Tietje not only conducted the orchestra but also revised the operetta’s text, rearranged the musical numbers, and collaborated with director Christian Thausing on revisions to the plot. While the production is generally fast-paced and visually engaging, some critics have pointed to occasional pacing issues and overly lengthy dialogue. The choreography, by Evamaria Mayer, features numerous energetic dance sequences.

The Oper Graz’s staging of “Arizona Lady” offers a rare opportunity to experience a little-known work by a celebrated composer. Tickets, ranging from €5 to €89, are currently available for remaining performances.