Apartment House Concert Review: New Works & UK Premieres

London’s Apartment House Celebrates 30 Years with Daring Program of⁢ New and Rediscovered Works

the Apartment‌ House ensemble marked its 30th anniversary with a concert showcasing a bold commitment to contemporary music, featuring four world premieres and⁤ three UK first performances. The program, delivered with ‌”unimpeachable” playing,​ demonstrated the ensemble’s continued vitality and adventurous spirit.

The evening began with a UK premiere by‌ canadian ​composer Linda Catlin Smith, Flowers of Emptiness, a melancholy hymn for string trio. Smith’s second piece of the night,Waterlily,her fifth ⁢string quartet,closed⁣ the program ⁢with “quiet beauty.” A remarkable discovery was a 1927 quartet by Dutch composer Daniël Belinfante, tragically killed ⁢in Auschwitz; its shifting moods ranged from angular dissonance to echoes of Janáček.

World premieres included Paul Paccione’s After⁤ Ventadorn, a‌ reworking of ⁤a 12th-century troubadour song, described as an “intricate tapestry of ⁣haunting grace.” Eden Lonsdale’s A Thousand Autumns contrasted piano ripples with sustained strings in a “hypnotic kaleidoscope⁤ of patterns.” Adrian Knight’s ⁢ Charm for the Protection of a Child, a six-part ritual, blended familiar melodic contours with unexpected harmonic touches, incorporating piano, vibraphone, and ⁤singing ​bowls.

However,the concert’s most striking moment ​came with Lithuanian composer Ramūnas⁣ Motiekaitis’s My Fragile Moments. The quartet employed tiny sticks to strike their strings, creating a sound “somewhere between the⁢ imagined sound of nerves stretched to ⁢breaking point and ​a troupe of increasingly emboldened mice tiptoeing across an attic floor at ⁤midnight.”

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