“SANDA” Blends Absurdity with Profound Themes in a Stunning Adaptation
The anime adaptation of Paru ItagakiS (“Beastars”) manga, “SANDA,” stands out as a remarkably accomplished translation from page to screen, largely due to its masterful art direction. The show’s outlandish plot is perfectly mirrored by a similarly cartoonish visual style, creating a cohesive and compelling viewing experience. This synergy is particularly striking in the depiction of the protagonist, Fuyumura. Instantly recognizable through her lanky physique, curly hair, and notably large eyes, Fuyumura’s design is integral to the show’s impact. During moments of high tension, she is often rendered as a silhouette, emphasizing only her oversized eyes – a visual cue that powerfully conveys her intimidating presence and inner turmoil. These expressive eyes become a window into her emotional state, communicating shock, joy, relief, and anguish with a depth that complements the narrative.
Though, “SANDA” is more than just a visually arresting spectacle. Beneath its bizarre premise lies a deeply human exploration of societal control and the complexities of adolescence. Itagaki’s work centers on a provocative question: what would a society obsessed with preserving childhood purity actually look like?
The series answers this question through a chilling depiction of a world where children are the most protected, yet most isolated, class. The state dictates their lives, forcing them into marriage and reproduction while actively suppressing any experiences or details that might led to maturity. Romantic feelings,exploration of gender identity,and self-discovery are all actively denied,as they are perceived as threats to the state’s goal of maintaining a perpetually childlike population.
This stifling environment has profound consequences, warping the characters’ understanding of themselves. Fuyumura,grappling with her own identity as a tall,deep-voiced individual who doesn’t conform to societal expectations of “womanhood,” finds solace only in the presence of her close friend,Ono Ichie (Anna Nagase). The series subtly suggests that this internal struggle, this sense of Queerness, is a natural part of growing up, but is tragically suppressed by a society that fears maturity and self-expression.
The brilliance of “SANDA” lies in its juxtaposition of the outlandish and the relatable. the captivatingly strange plot serves as a gateway to poignant and emotionally resonant moments, revealing a nuanced depth that rewards viewers willing to engage with its challenging themes.
while not universally appealing, “SANDA” achieves a remarkable feat with its unconventional setting. it’s surprising that such a daring concept was even greenlit for publication as a manga, let alone adapted into such a visually stunning anime. As the series moves beyond its initial arc, the question remains whether it can sustain its initial intensity while continuing to deliver the emotional weight established in its early episodes.
nicolas Eisenberg can be reached at niceisen@umich.edu.
