Daniel Day-Lewis Defends Method Acting Amidst Criticism of Extreme Techniques
LONDON – Daniel Day-Lewis, widely regarded as one of the most dedicated actors of his generation, has spoken out against the increasingly negative perception of method acting, especially as it’s come to be associated with disruptive and even unpleasant on-set behavior. The actor’s comments come as the technique faces renewed scrutiny following high-profile examples of intense readiness and immersive performances from contemporaries.
For decades, Day-Lewis has been synonymous with method acting, known for his exhaustive research and complete immersion into roles – learning to canoe and build canoes for The Last of the Mohicans, becoming a cobbler for There Will Be Blood, and learning Italian for The Age of Innocence. However,recent portrayals of the technique,often highlighting its potential for excess,have led to a backlash.This shift in perception prompted Day-Lewis to address the issue,arguing that the core principles of the craft are being misrepresented.
The debate has intensified with increased attention on actors employing similarly intense methods.A recent documentary,jim & Andy: The Great Beyond,showcased Jim Carrey’s boundary-pushing commitment to his role as Andy kaufman,revealing a process that deliberately blurred the lines between performer and character. More recently, Jeremy Strong‘s dedication to his role as Kendall Roy in Succession was the subject of a widely discussed New Yorker profile, detailing a process described by some colleagues as overly laborious. Brian Cox, a co-star on succession, expressed concern for Strong’s well-being, stating, “It’s the cost to himself that worries me.” Another unnamed co-star reportedly found Strong’s approach exasperating, noting, “I remember [him] making everyone else roll their eyes.”
Other actors have also embraced extreme preparation for roles, including Andrew Garfield’s six months of celibacy for Silence and leonardo DiCaprio’s decision to sleep in an animal carcass for The Revenant. austin Butler’s continued vocal affectations, reminiscent of elvis Presley three years after portraying the singer, have also drawn attention. These examples, while demonstrating commitment, have fueled the narrative of method acting as potentially self-destructive and disruptive.
Day-Lewis’s defence of the technique suggests a desire to reclaim its artistic merit and separate it from perceptions of “lunatic” behavior.While a recent promotional cycle saw him attempt to clarify the nuances of method acting, observers suggest a return to filmmaking may be the most effective way to demonstrate its potential and remind audiences of its power. A recent article indicated Day-Lewis has suggested he “never intended to retire, really,” potentially signaling a future return to the screen.
