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Black Phone 2: Derrickson’s Grainy Horror Echoes Supernatural Menace

by Julia Evans – Entertainment Editor

Black Phone 2” Delivers Grisly Sequel,⁣ But Relies ‌Heavily ​on Horror Tropes

AUSTIN, TX – Scott DerricksonS “Black Phone⁣ 2,” premiering​ at Fantastic Fest 2025, plunges audiences ⁢back into the terrifying world⁤ established by the 2021 hit, but struggles to⁢ escape​ the shadows of its​ predecessors and iconic horror films.The sequel, set to release in theaters on October ‌17 via Global Pictures, revisits the chilling case of “The Grabber” and expands upon the ‌supernatural elements introduced ​in the original.

The film introduces new characters ​alongside returning ⁤faces,including ‌Ernesto (miguel Mora),brother⁢ to ‌a character from the first ⁢film,and gwen’s (Brooklynn Prince) suitor.Demián Bichir⁢ portrays Armando, a camp supervisor ‌with ⁢a direct connection to the campground’s dark history, and Arianna Rivas plays⁢ his equestrian niece, Mercedes.‌ While attempts to infuse the dialog with ‌Latinx flair are largely unsuccessful, Bichir “does a heroic job carrying⁢ the burden⁢ of explaining the film’s lore,” according to⁣ IndieWire’s review.

Though, the screenplay⁣ is⁤ identified as a key⁣ weakness, burdened by “cringeworthy dialogue” and “unwieldy chunks of exposition.” The film also explores ⁤themes​ of Heaven and ‍Hell, and the ⁤validity of Christian belief, a common⁤ trope in horror, but the review‌ notes an “inconsistent way in which⁢ it’s ⁣applied,” ultimately abandoning a​ possibly insightful​ critique of organized religion.

Despite these narrative⁣ shortcomings,⁢ Derrickson excels in delivering visually striking ‌horror sequences. A standout scene features the spectral appearance of ⁣boys murdered on ‍the campgrounds in 1957, rendered with “creative gore ⁣effects” including a boy’s head‌ being sliced diagonally on a windowpane. The film also ​pays homage to “A Nightmare on Elm Street”⁤ with effects that⁢ manipulate bodies ⁢like marionettes.

Ultimately, the ⁢review acknowledges‌ that much of ⁣the film’s ⁢strength derives from established ⁢horror conventions and Derrickson’s previous ‍work.”All of the best things about this movie come from ​other movies,” the review⁤ states, drawing⁤ comparisons to “The Shining” and “A Nightmare on⁢ Elm Street.” While enjoyable, this reliance on familiar elements prevents “Black Phone 2” from‌ exceeding “just good enough.”

IndieWire awarded the ⁤film a grade of B-.

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