Latine โStoryteller Breaks โSilence, Challenges “Lo Que Pasa en Casa” Culture
LOSโ ANGELES, CA – Katherine G. Mendoza, an โEcuadorian American writer and producer,โ is challenging a deeply โฃingrained โcultural โฃexpectation within theโ Latine community – the silencing of uncomfortableโฃ truthsโ under the banner of “lo que pasa en โcasa” (what happens at home โstays at home). โฃMendoza, โwhose recent work โhas โgarnered attention forโ its raw honesty, โคargues this mentality has stifled artistic expression โคandโฃ hindered healing from generational trauma and harmful societal norms like machismo.
Mendoza’s โขjourney to publicly address โthese issues โwas spurred, in part, by the viral success โofโ her series,โ which she credits to both her โขown bravery and the โฃsupport of her recognizably famous father. The โฃseries tackles arduous themes like abandonment and “daddy issues,” offering a fresh perspective that “renegotiates the narrative of ‘the united Latine family.'”
“It’s โขeasy โคto say her content went viral wiht much helpโ from her recognizably famous โคfather.Still,โ it was the behind-the-curtain take only she โhad the right and โbravery to share, along with her father’s support, that helpedโ her challenge the ‘lo que pasa en casa’ mentality,” Mendoza wrote in aโ recent essay for Popsugar.
Mendoza emphasizes the diversity โwithin the Latine community, asserting โขthat it is “not a monolith.” She believesโข it’s crucial to share stories that reflect the “darkness, awkwardness, โrawness, realness” often hidden beneath a facade of unity. โค”Some โฃofโฃ us โhave unfamiliar stories that need to be told toโฃ give our community its true, varied humanity andโ help us all heal through laughter,” sheโ stated.
Taking a meaningful risk,Mendoza โis now transitioning her work into theatrical monologues,unafraid to confrontโ deeply personal experiences. She recently shared a โjoke on TikTok about her father’s advocacy for her mother’s failed abortion as a โmeans ofโฃ avoiding parental obligation, aโ revelation she anticipates will draw โขcriticism.
“While I recognizeโข that many family โฃmembers and bystanders will judge โขmy choices, I must honor my truth, even if it ruffles a few feathers,” Mendoza explained.
She stresses the importance of respecting others’ humanity โwhile simultaneouslyโ asserting her right to share her own narrative. Mendoza believes humor can be a powerful tool for โprocessing pain, โbut only when coupled with authenticity. โข”Some โคof us use humorโ to hide our darkness, but we can’t beโ afraid to let ourโค bold โtruths shine through,”โค she โwrote.
Ultimately, Mendoza advocates for a shiftโ in perspective, urging the Latine community to move beyond the constraints of โ”lo que pasa enโข casa.” She views the โcustom as a “coin with two sides,” acknowledging its potential for protecting privacy, but ultimately arguing that the fear of “el que diran!”โ (what people will say) is holding the community back.
“It’s โขtime to kickโค that custom to the curb,” Mendoza concludes.โ “Art flourishesโข when it’s relatable โand healing, nonetheless of how it’s perceived. It’s not about putting on a front; it’s about embracing the truth, about having the guts to challengeโค the โnorms โฃthat ‘lo queโฃ pasa โคen casa’โ throws at us to keep everyone else comfortable.”
Katherine G. Mendoza is a seasoned writer and producer โwith โขover a decade of โขexperience in social-frist storytelling, โwith her work appearing in โคpublications โฃincludingโ The โNewโ York Times, Entertainment Weekly, Variety, โฃ Univision, โ Telemundo, Huffington Post, andโข Uproxx.