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During the month of September, the Borges Cultural Center offers a large number of proposals related to dance and music in its wide variety of styles. Dance, in its various genres and forms, will be present through tango dance shows, added to the works that were selected by the Federal Call Situar Danza 2023intended for artists from all over the country.

In addition, on weekends the public will put their bodies in motion to learn to dance and practice tango in the space Tango at the Step, which operates on Saturdays and Sundays from 5 to 7 p.m. And the last Sunday of September will be the monthly meeting to dance milonga. The shows, the classes and the milonga are free of charge.

dance schedule

Every Saturday and Sunday in September, from 5 to 7 p.m. | Tita Merello Hall, II floor
TANGO TO THE STEPby Milonga El Abrojito
In September, the tango (dance) classes continue at the Borges. Tango at the Step, a meeting place to learn, practice and improve, is designed as a public space for teaching and an anchor point for the dissemination of tango schools and milongas in the country. Each month, a couple of teachers from an Argentine school or milonga will be in charge of giving the classes, which fosters a federal space, as well as being stylistically diverse. Important: No specific type of clothing or footwear is required. The teachers Sofia Cruciani and Agustin Tornaquindici from Milonga El Abrojito will be in charge of the classes.

Thursday, September 7, 7:00 p.m. | Astor Piazzolla Auditorium
TANGO DANCE
Brazos y Abrazos and EntreAmoresTangosby Company Tango Déjà Vu?
Choreography and Direction: Pretty Pazzaglini
In EntreAmoresTangos The complexity of love and the duality of affections live and seek their way the characters in this story, who dance between deceit, loss and abandonment. Arms and Hugs is a choreographic work of tango-dance, which merges with various artistic languages. The central theme and trigger of his creative process are arms and hugs, in the plural, since it is a succession of scenes that tell stories of human relationships (encounters and disagreements), articulated with the emotions, actions and particular structures that characterize certain people/characters.

Thursday, September 14, 7:00 p.m. | Astor Piazzolla Auditorium
PLACE DANCE
Take you). Artistic Production and General Direction: exequiel ramos
Three young people. Bodies, mirrors of links. An interiority brings them together: estrangement. Fragmented lives in an open space, where states are guides and protagonists. Drilling, going through a story, everything becomes strange: memory. A tent for three that becomes an uncertainty.

Sunday September 24 from 5 to 8 pm | Milonga by Milonga El Abrojito in the Tita Merello Hall
Milonga El Abrojito was born with the purpose of developing a milonga without having to travel to the Federal Capital. It is done once a month. In all editions there are live musicians, singers, poets or dancers. The classes and the organization are in charge of Sofia Cruciani and Agustín Tornaquindici.

Tango and jazz will have their space with a large musical program that includes tango orchestras, a jazz cycle with renowned exponents of the genre, the National Contemporary Music Industry Cycle, the concert by Rolando Goldman and friends and a show by Chamamé , among other proposals.

music schedule

Friday, September 8, 7:00 p.m. | Norah Borges Room
JAZZ AT THE BORGES
Lucas Goicoechea Trio
Songs from the jazz repertoire to experience new sounds.
Lucas Goicoechea is an Argentine saxophonist who carried out his career in the City of Buenos Aires. At the age of 8, he began his studies at the Alberto Ginastera Conservatory, and in 2011 he entered the jazz career at the Manuel de Falla Conservatory. During the last few years, he has played with many of the most renowned jazz musicians in Argentina, including Hernán Merlo, Juan Cruz de Urquiza, Sergio Verdineli, Ernesto Jodos, Oscar Giunta, among others.

Friday, September 8, 7:00 p.m. | Astor Piazzolla Auditorium
JAZZ AT THE BORGES
Mono Fontana – Sergio Verdinelli
He Mono Fontana He is a pianist, guitarist, drummer and composer. He played and recorded with Luis Alberto Spinetta for 10 years and with various national and international musicians. He is the author of two albums: Ciruelo and Cribas. He currently performs as a soloist, in duets, and in a band. Sergio Verdinelli He is a drummer and began his music studies at the age of 10. In 1991 he took his first steps as a professional musician, forming part of the group Illya Kuriaky and the Valderramas, with whom he continues to collaborate today. He has also collaborated with Juan Carlos Baglieto, Andrés Calamaro, Wayne Krantz, Michael Formanek, Tim Berne, Marilyn Crispelltony Malaby, Mark Helias, Steve Cardenas, Ralph Alessi, Ben Monder, John Hebert, Darryl Jones, Tim Ries and Bernard Fowler among others.

Saturday, September 9, 6:00 p.m. | Norah Borges Room
JAZZ AT THE BORGES
Ciro Gamallo – Kenji Sinyasiki (Official Music Video)
The jazz duo will perform classics of the genre and some original compositions, with a focus on improvisation and conversation between the two instruments: the piano and the double bass.
Ciro Gamallo He was born in Buenos Aires in July 2004. He is a graduate of the Carlos Pellegrini Higher School of Commerce and a jazz student at the Manuel de Falla Higher Conservatory of Music. Kenji Signature born in june 2oo5. He is a graduate of the Juan Pedro Esnaola School of Music and a student of the Composition Career of the National University of the Arts (UNA).

Saturday, September 9, 7:00 p.m. | Astor Piazzolla Auditorium
JAZZ AT THE BORGES
Fer Moreno
Fer Moreno is a project that oscillates between styles such as jazz, soul and hiphop. Always taking groove and improvisation as a premise within this funk-tinged format. He started playing the drums at the age of 8, leaning mainly towards jazz and blues. During high school he continued playing drums with different groups and learning other instruments such as bass and guitar, probably influenced by his father, who is a bassist and double bassist.

Sunday, September 10, 6:00 p.m. | Astor Piazzolla Auditorium
TANGO at BORGES*
** Emilio Balcarce Tango School Orchestra
Pedagogical initiative, created in 2000 by the Ministry of Culture of the Government of the City of Buenos Aires and dependent on the General Directorate of Artistic Education, promotes the meeting of different generations of musicians, enabling the transmission of the cultural legacy of the great masters. Students have the opportunity to play the original arrangements of the orchestras of the 40s and 50s, by the hand of the musicians of that time who are still active today and supported by the experience of important musicians of today. The musical direction is in charge of maestro Víctor Lavallén, who was a bandoneon player and arranger of the Osvaldo Pugliese orchestra and founder of the Tango Sextet.

Sunday, September 17, 6:00 p.m. | Astor Piazzolla Auditorium
NATIONAL INDUSTRY CYCLE of Contemporary Music
Pablo Mainetti presents La vuelta al bulín
the return to the bulin proposes to link the sound of traditional music from Buenos Aires with contemporary language. The projection of an old film by Luis Ferreyra is the starting point of the experience. The proposal includes a tribute to Gerardo Gandini and Francisco Kropftl. All the pieces that are executed were composed by Pablo Mainetti.

Thursday, September 21, 3 to 7 p.m. | Norah Borges Room
CHAMAMÉ IN THE BORGES
On the occasion of a new anniversary of the National Chamamé Day (September 19), we will celebrate music with four varied artistic proposals from different provinces of the Coast
Argentinian. A sound journey through its melodies, its culture and its heritage.
Participating: Tolato Trio (Between rivers), Barberan Tone (Currents); Bernal Benitez Peralta Trio (Missions) and Lucas Monzon (Chaco)

Program:
3:30 p.m. – Barberán Tone (CURRENTS)
Presents: Intimate, acoustic proposal for piano, guitar and voice.
4.10 pm – Tolato Trio (ENTRE RÍOS)
Double bass, guitar and accordion trio.
5 pm – Trio Bernal – Benítez – Peralta (MISSIONES)
Bandoneon, guitar and percussion trio
6 pm – Lucas Monzón (CHACO)

The **Borges Cultural Center*** is located at Viamonte 525, CABA, and opens its doors from Wednesday to Sunday from 2:00 p.m. to 8:00 p.m. with free admission.

2023-09-07 15:53:43
#Dance #music #Borges #Cultural #Center

40 years after the recovery of democracy, the Kirchner Cultural Center continues on Sunday 20 at 8:00 p.m. with the series of concerts Essential Records 1983-2023dedicated to recreating the fundamental records of the period.

In this opportunity, Lisandro Aristimuno directing, guitars and voice, recreates Puffthe remarkable solo album by Gustavo Cerati 1999. The singer performs with Mariano Dominguez in low, Fernando Kabusacki on guitar, John Paul Alfieri in drums, Ariel Polenta on keyboards, Rocio Aristimuno in percussion and An Espilin choirs. Among the special guests will be Tweety Gonzalez, Nora Lezano and Fernando Nale.

Photo: Valentin Lopez Lopez

Thus, the group will go through Cerati’s second solo album from end to end after the separation of Soda Stereo, which Gustavo himself considered his “first serious step in a solo career”. Between rock, electronica and psychedelia, and with links to Focus, The Spencer Davis Group, Moby and the Electric Light Orchestra, Puff It is a masterpiece made up of fifteen songs. The concert will also be broadcast live on Sonido Cultura radio.

Aristimuño is considered one of the most original artists on the national scene. Born in Viedma and traversed by the Patagonian scenery, the river, the sea and the winds are the axes of his lyrics. In his work he fuses electronic sounds, acoustic instruments, programming and string arrangements, since he released his first album Turquoise Blues (2004, The Light Years Records).

Owner of a moving sweetness, in his live performances Aristimuño usually gives a new and greater sound to the songs. Surely his interpretations of Cerati’s themes will not be the exception.

—This is not the first time that you will do versions of Cerati, how did the proposal for the recital come about?
—Gustavo Cerati was always in my repertoire since I started playing and singing. It was and is a very important influence on my songs and my records. The proposal came from the organizers of this cycle that the Cultural Center has been doing, which is “Essential Records”. I received this call with great happiness, honor and, above all, with great respect and commitment.

-Why did you choose? Puff? Do you feel any identification with the moment Cerati was going through when he edited it?
—The departure of Puff in 1999 was key for me. I was in the South at the time, starting to record my demos on a cassette recorder. When I bought this CD and put “play” on it, I felt a gigantic opening in my mind and heart, I was frozen with a smile from ear to ear. I felt that I had never heard a record like this made by a Latin American artist, as if the sound future had arrived in my ears and it gave me the guarantee that electronic music could be mixed with songs… and making them sound that way, identified me and influenced the use of environments, sounds and textures.

—The tributes to Charly García and León Gieco at the Kirchner, the series on Fito Páez, the 30th anniversary of Divididos, the biopics project on Luca Prodan, do you feel that you are part of a movement to recognize the origins of Argentine rock?
—I consider myself an admirer of our Argentine music. I learned to sing and play instruments by taking songs from all of them since I started with a cover band in Viedma. They are my teachers and I think that with my records I thank each one for their influence and their flight. These artists and many more have given me the strength and love to compose and make a living from music.

—What expectations do you have about this concert?
—Lots! I am fully grateful for having been summoned with this album, which is one of the most important of my life. Love, respect and emotion will not be lacking… We have rehearsed a lot with a band of incredible musicians excellently summoned for this occasion and who feel the same love as I do for Cerati and, in particular, for this essential and fundamental album for our music.

ticket reservation

The activity requires ticket reservation. The Kirchner Cultural Center offers a mixed mode of booking tickets to the public: virtual and face-to-face. This means that, on the one hand, you can manage a prior reservation on the web starting Friday, August 18, at 12 noon, and on the other, that there will be a quota of seats that will be delivered in person on the day of the activity, from 2:00 p.m., at the Kirchner Cultural Center ticket office. These tickets are enabled until the room’s capacity is exhausted.

For queries about tickets and income, write to [email protected]

2023-08-17 15:31:17
#Lisandro #Aristimuño #admirer #music