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Sam Nicoresti: Baby Doomer Review – Edinburgh Comedy Award Show

Comedian Sam Nicoresti Wins Edinburgh Comedy‌ Award with “Baby Doomer”

Sam Nicoresti’s ⁢stand-up‌ show, ‍ Baby Doomer, has been awarded this year’s Edinburgh Comedy Award, praised for its skillful‌ blend of humor and⁣ vulnerability as it tackles complex themes. The show explores ​Nicoresti’s experiences as ‍a trans woman, alongside discussions ‍of autism, a personal breakdown, and‍ PTSD, all‍ delivered with a self-deprecating style.

A review highlights⁤ the show’s ability to draw audiences into ‍Nicoresti’s world, marked by both joyful and awkward moments. A key line from​ the performance, “I feel like I suck at being a woman,” ‌exemplifies the ‌show’s honest‌ and relatable approach.‍

Nicoresti adeptly addresses the frustrations⁢ of feeling like an imposter and the ‌preconceptions ⁣surrounding trans​ women, even incorporating “dirty ⁤gags” that ⁤playfully confront anxieties about shared spaces like​ women’s changing rooms. The‍ comedian⁤ also contemplates the nature of being transgender – whether it’s a⁤ process or a fixed state – and weaves in ‍her passion for the​ Lord of‍ the Rings and her⁤ relationship with her “green-haired girlfriend.”

The‍ performance‌ is characterized by a rapid-fire delivery of jokes and a willingness ​to shift from lighthearted topics, like pets, to⁣ more serious personal experiences, such⁣ as ‍a story⁣ about considering ​sperm donation ⁣before starting hormone therapy and ultimately choosing a vacation instead – a ​decision reflected in the show’s⁢ title.⁣ ​ A ⁤particularly striking ⁣comparison made during⁤ the show was, “Talking on stage about your mental health is like complaining about the legroom​ on‍ the OceanGate submersible.”

Baby Doomer will be performed at the ‌Soho ‍Theater in London from September 4th to 6th. ‌(https://sohotheatre.com/events/sam-nicoresti-baby-doomer/)

In other award news, Ayoade Bamgboye won the award for best newcomer for Swings and Roundabouts, a show‍ praised ​for its distinctive ⁣writing and charismatic performance, though the review noted a slight frustration with the deliberate ​pacing of the material.The⁤ Victoria Wood prize for ⁤the “spirit of the Fringe” was awarded to Comedy Club 4 ⁤Kids.

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