It is a story of people less than pressure: of the family who dropped one particular of them and undergoes extreme media tension, of a spouse who is suspected, of investigators and the media who want to find out what transpired.
But they are also two simple specifics that make the creators of the collection powering “The disappearance – Lørenskog October 31, 2018” function with robust constraints.
The initial is that the situation is continue to extremely existing, that some of the closest to the missing case are familiar with open up wounds. While the creators of the sequence have ensured that they are mainly fascinated in the law enforcement and the press, it is unavoidable that the collection is also to some extent a presentation of the married couple Hagen and their family members.
The first impression in the trailer is of a female being dragged screaming across a flooring. If Anne-Elisabeth Hagen’s cherished kinds really feel they are getting portrayed in a way they feel is mistaken, they can say with good force that they have been victimized.
Whoever tells a story that need to come to feel alive will have to be capable to portray people today with very good and lousy sides, with interior contradictions, with open up and hidden agendas. It will be difficult to do when it arrives to residing models who are continue to in shock and soreness. In this sort of a undertaking, it can be punishing to think about both also significantly and much too little.