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Luigi Strangis guest at Domenica In / Something goes wrong, fans in revolt


Luigi Strangis guest on Domenica In: for him after Amici 21 there is not much space on TV

After turning out to be the overall winner of Amici 21winning the singing circuit as well as the final prize money as the overall winner, Luigi Strangis back on TV and at the same time at the center of media attention. And the reason is the new hosted post-talent TV that Luigi records in the TV studio on Domenica In on 22 May 2022, an occasion in which – according to the web disputes – the presenter Mara Venier invites the former Amici 21 “solo” into the studio at the end of the new episode of the broadcast. Apparently enough TV space would not have been granted for Luigi Strangis according to his fans, with Mara Venir having just the time to broadcast a presentation clip containing the highlights of the path that Luigi recorded at Amici 21 , the talent produced and conducted by Maria De Filippi, to then allow the singer of Tienimi tonight – single who is climbing the music charts – to reveal an anecdote of life. That is to have received his first guitar as a gift, at the age of 6.

On Sunday, criticisms rained down on Luigi Strangis’ guest-lightning

In addition to reserving the anecdote of his first musical instrument for the Rai Uno audience, Luigi Strangis sang the new single that pioneers the Strangis album, Tienimi tonotte. Nevertheless, the public would have expected a larger TV space for the former Amici, at least of the average duration of a TV interview. So much so that a controversy is now underway on Twitter about the guest post-Amici 21 that Luigi Strangis recorded on Sunday in, that the Mara Venier format is silent for having treated the singer with disdain.

Among the messages underlying the social dispute on the TV space that Domenica in reserved for Luigi Strangis, below the expectations of the Rai Uno audience, we read: “But I was expecting an interview, not a quick quick cantata”. And then again: “But in what sense is time over?”.

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