Is Amazon actually the other Sant Jordi dragon?


Updated at 20:19

The figures of Sant Jordi include up. The principal appointment of the publishing sector reached this 12 months the 22 million euros in profits and one and a fifty percent million textbooks sold , the quantities discourage most prophets of doom. Next the pandemic, and even prior to, Amazon and online retail platforms proved to be the main danger to the e-book chain, like each impartial suppliers and substantial suppliers represented in the English Court docket and FNAC.

In accordance to experiences from the Guild of the Federation of Publishers (FGEE) and the Spanish Confederation of Companies and Associations of Spanish Bookstores (CEGAL) bookshops are the most well-liked channel for customers, adopted by the World-wide-web. Presently, 38.9% of unbiased bookstores in Spain have commenced marketing on the net, additional than 10% when compared to 2019 (25.8%).

At present, average Internet sales account for 11.9% of bookstore revenue, a decent determine compared to their in-keep product sales force. Sources of massive publishing teams guarantee that 45% of their turnover will come from gross sales in bookstores, which relativizes the destructive effects of Amazon on the book income chain. “It was the massive suppliers that suffered, like El Corte Inglés and FNAC,” commented a senior editorial executive who favored not to be named.

Amazon towards the significant chains

“We have not recognized nearly anything we failed to recognize right before the pandemic. The confinement, in truth, has increased the activity and the billing of our web-site “, reveal from FNAC. The formal reaction coincides with the situation of the subsidiary of the French team, which in the earlier two years has recognized that the quantity of gross sales in physical merchants during the pandemic has been offset many thanks to the increase in on the net revenue. “The eruption of e-commerce meant a revolution in the retail sector in its working day. A truth that has been strengthened fairly in recent several years. At Fnac we were being among the initially to bet on an omnichannel design that mixed the e-commerce with physical stores “, explains Sara Vega Gil, Advertising and marketing and Communication Director of Fnac Spain.

“Right after the forced closure of actual physical shops in the toughest months of the Covid crisis, we have tripled our on the net turnover in contrast to the former calendar year. Advancement has continued at a good tempo right after the reopening and we have superior anticipations for the foreseeable future. In this precise situation of publications, is a person of our most critical solution groups and the development in the latest decades is very optimistic. Moreover, both equally in our outlets and on our digital channels, we program extra than five thousand no cost cultural functions for each 12 months (several are literary shows and meetings with the authors), a thing that certainly improves the closeness between the works, the authors and their viewers and which is part of our DNA and company model “, Vega Gil expands.

The English court also categorically denies any destructive influence of Amazon’s organization on its gross sales, irrespective of whether in actual physical outlets or on the internet. The main argument utilized by the group’s sources is its powerful exercise by Ámbito Cultural, a model designed by the company in 1997 with the aim of strengthening the hyperlink with lifestyle by means of typical programming in the spaces licensed in its browsing facilities and in the electronic surroundings.

They at the moment have cultural halls in the El Corte Inglés centers in Alicante, Elche, Barcelona, ​​Badajoz, Castellón, Gijón, Avilés, Las Palmas de Gran Canaria, León, Madrid, Málaga, Murcia, Pamplona, ​​Santa Cruz de Tenerife , Santander, Santiago de Compostela, Valencia, Vigo, A Coruña and Zaragoza. Also in Lisbon and Porto. Ámbito Cultural, they insist, has designed strains of collaboration with awards these kinds of as the Primavera Prize, produced jointly with the Espasa publishing residence, the Atenea de Sevilla Prize, the Getafe Negro Prize and the José Luis Sampedro Prize.

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