What do they actually do all day? If you can believe the Instagram profile “InfluencersintheWild” (3.9 million followers, for comparison: Kim Kardashian has 210 million), then they make mostly nonsense: One lolls on all fours in the spray on a beach another tries a balancing act between the fenders of two sports cars, the third does gymnastics in a plastic ball through a park, the fourth pulls her panties out of her buttock during a bikini shoot. What connects everyone (otherwise we wouldn’t know anything about it): You are photographed or filmed in the process.
The influencer profession is one of the most ridiculed of today. Despite the often seven-digit number of followers, just to be on the safe side: Influencers are mostly young people who have become prominent on social media and who shape their fans’ purchase decisions, opinions and behavior through their posts. To put it in the old-fashioned way: Influencers are stars who let the world take part in their lives practically non-stop. Or at least a significant part of it. They earn money by testing products, putting them on and holding them in front of the camera. Or more recently, by designing new products with brands. “Business of Fashion” has just reported that cooperation with influencers is playing an increasingly important part of the marketing and communication strategies of fashion companies. In a sense, a successful influencer is a model, customer and designer in one.
What do you post when trips and branded jobs are canceled?
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Like every new youth culture, this is also analyzed and criticized. The German journalist Nena Schink described in a book how she became addicted to Instagram and went so far as to photograph herself in a bikini on an inflatable flamingo – to this day it is not entirely clear what is problematic about it. The fast-paced Netflix mockumentary “Follow Me” appeared as early as 2017, in which the influencer, when asked “Do you take selfies?”, Just snapped in dismay: “Is that a question?” Now the authors Ole Nymoen and Wolfgang M. Schmitt have it Subject made. Your book “Influencer. The ideology of advertising bodies ”appeared in the predictable influencer-skeptical, but naturally glorious Edition Suhrkamp – whose rainbow design is super instagramable, by the way.
The authors are serious: The meticulous references range from “Prokla. Journal of Critical Social Science ”to the article“ Foucault, Ugly Ducklings and Techno Swans – Fat Hatred, Slimming Surgery and Biomedicalized Ideals of Beauty in America ”. Adorno, Marx and Fukuyama also have their say, of course. Unlike the influencers, who don’t even mention them by name. Which is a rather helpless (or very self-confident) approach, not to provide the subjects of consideration with additional acquaintance.
Front rows for Instagram stars
“National parks have already complained about the devastating onslaught of selfie celebrities; In Paris, streets that are particularly suitable for photos were closed to protect the residents ”, write Nymoen and Schmitt in their foreword:“ The consumer goods industry, on the other hand, welcomes the new celebrities with open arms: Their portraits adorn a growing number of product lines in supermarkets and drugstores; Trade journalists have to move to the back seats at fashion shows because the front rows are reserved for Instagram stars with millions of followers. ”One wonders if it was so different when Kate Moss ruled the world. And during her decades-long career, she only uttered one meaningful sentence in public.