Pierfrancesco Favino he chose to open his heart to Mara Venier a Sunday In in a long interview in which he revealed his most intimate part: the love for his wife Anna Ferzetti and for Greta e Lea, the girls born of their union.
The two, inseparable since 2003, met during a dinner of mutual friends and it was precisely the initiative of Anna who took the first step by inviting him to dance. A romantic gesture which started a wonderful love story that has been able to go beyond even the 13 years of difference that divide them.
A relationship made even more solid by the common passion for acting: Ferzetti on the other hand is the daughter of Gabriele Ferzetti, a well-known Roman actor, who transmitted to her the love for the small and big screen since childhood. Anna has in fact participated in many successful fictions such as “Imperfect Mothers”, “Il commissario Rex” and “Rocco Schiavone”, even becoming the protagonist of Curon, the Netflix television series.
A beautiful family that of Favino that the actor spoke with eyes full of love, above all, when Zia Mara showed him a clip of his wife as a child: an unexpected moment that left the actor speechless and impressed by theextreme similarity which binds Anna, in particular, to little Greta. A special dad and husband who never misses an opportunity to thank his three women for the support they give him every day.
Indeed, especially in recent years, Pierfrancesco collect one hit after another and has become not only one of the most beloved actors but also among the most awarded at festivals most prestigious cinemas. The roles played by the actor are numerous and have allowed Pierfrancesco to make known to the general public not only his talent but also his enormous sensitivity, a rare and necessary skill to be able to make the characters alive as only he and a few others can do.
An actor disputed by the most important directors, beloved by the public who runs to see the latest projects that see him as the protagonist as “Our Father”: the film that tells the attack of 14 December 1976 on the assistant commissioner Alfonso Noce. A project that also sees Lea’s big screen debut, second child of Anna and Favino.
An eclectic artist who, however, also knows how to undress all the superstructures required by her work and who, at the sight of the beautiful blue eyes of her Anna, melts showing all her sensitivity.
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