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Carnival of the Animals: A Youthful Vichy Opera Spectacle

Vizorek’s “Carnival ⁤of‍ the Animals” Roars with Laughter in Cannes

Cannes, france Comedian‍ Alex Vizorek’s unique take on Camille Saint-Saëns‘ “Carnival of the Animals” captivated audiences in ‌Cannes, blending witty narration with a live‍ orchestral performance from musicians largely comprised of professors at the local conservatory. The​ show,described as “a Carnival which is ‌not from Rio,but that of animals,” delighted attendees with its playful subversion of ‍expectations and generous humor.

Vizorek’s performance featured a⁢ lion boasting a regal‌ ego (“the ‍State is me,” he ‌reportedly roars), hens playfully reversing ⁣roles with roosters, and birds ironically naming ‌themselves. The production wasn’t without its‍ dramatic moments; a‌ clarinetist‌ famously walked off stage mid-performance⁤ after Vizorek critiqued the instrument’s suitability⁤ for portraying an elephant.However, the disagreement was quickly resolved, with the clarinetist ultimately delivering a virtuoso performance during the euphoric finale.

Musical highlights⁤ included a double bass‍ effectively embodying an elephant, a cello⁢ bringing​ Saint-Saëns’ “The Swan” to life with “poetry and tenderness” under the musical ​direction of Axel de Jenlis, and expressive renditions ‌of “The ‌Turtles” and “Aquarium,”​ a piece well-known to Cannes audiences. A xylophone performance, described‌ as having​ “wolfish hunger,” also contributed to the lively atmosphere.

Prior to⁢ the “Fossils” segment, a duo of pianists playfully pretended to be⁤ beginners, practicing scales.Live illustrations by Karo ‌Pauwels‌ further ‌enhanced the experience, resonating with an audience “invigorated by this​ joyful Carnaval.”

The performance concluded with a standing ovation, celebrating Vizorek, the musicians, and‍ Pauwels. A⁢ previous article on Classykeo.com lauded Vizorek ‌as a “master enchanter” in this ⁤rendition of the classic work.

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