AEven in fashion, the perfect crime sometimes requires an accomplice. But the murderous plot of the New York artist collective MSCHF scared off even the toughest leather craftsmen. Cut up four “Birkin Bags” from Hermès and use the fine scraps to make Birkenstock-like sandals? No thanks. “It was pretty hard to find someone who wanted to do the job for us,” says MSCHF CEO Gabriel Whaley.
The idea was seductive: you get some of the most expensive, rarest and most sought-after designer bags in the world, destroy them and use them to make copies of the equally well-known health shoes. In the end, a cobbler was found, and four bags became ten pairs of slippers, which were launched last February at prices between 34,000 and 76,000 US dollars and all of which were sold. The “Birkinstocks” went through the media as a viral accessory, shocking some and amusing others. Most of all, they raised the question: Who are the madmen who commit such sacrilege?
Cooking recipes for Disney characters
“We abuse existing formats and media to express a point of view,” says Gabriel Whaley, somewhat stiffly, about his mission. He’s sitting in the corner of a warehouse in Williamsburg, New York, from which MSCHF operates. The light blue surgical mask hangs on the chin, the dark, short hair is tangled and the smile is gentle.
The 31-year-old CEO of MSCHF could easily be underestimated because of his boyish appearance. With MSCHF, whose name is an abbreviation of “mischief” (German: nonsense), he has built a hybrid company consisting of a lifestyle brand, content agency and tech start-up whose most important task is to find the wildest and most provocative Turning his team’s ideas into reality.
Also provocative
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Every two weeks these result in a new “drop” and most of them are not even related to physical products. “Netflix Hangouts”, for example, is software that disguises a Netflix stream as a video conference. “Walt’s Kitchen” consists of nine cooking video tutorials in which well-known Disney characters are processed into cooking recipes.
For “In the Year 2024” the collective bought the domain names of potential presidential candidates for the year 2024 and sold shares in them to its fans. “Should any of the candidates want to buy back the name, the money will be paid out to each shareholder,” says Whaley.