Recently, the subject of Hong Kong-produced films, aside from “The Destiny of the Road” and “The War of Tomorrow”, is probably “Ama Has A Second”. Under the names of Jiang Tao and Liu Yingting, and with Peng Xiuhui, who quickly became popular in “29 + 1”, the film became a Hong Kong-style literary sketch. Even if you are “Ginger Candy” or “Liu Liu Fan”, Peng Xiuhui’s coherent storytelling style still exudes a touch of drama, and when he writes about helplessness and contradictions in the different stages of his life, the people who come here will resonate. surely . Just like “The Edge of the Mountain”, I am happy to see that this is indeed a pure Hong Kong film, with a gripping storyline and familiar actors, writing a story that belongs to Hong Kong, which shows that Hong Kong -the films made can still get out of the frame of non-co-production films, in their own way.
Mao Shunyun’s acting skills exploded
The story of “Ama Has A Second” tells the story of Mei Feng, a former popular gold medal manager who became a husband and son after semi-retirement. She lived a normal life but could not find a way out, and her marriage her life fell into a low ebb and she and her son became strangers. One day, Meifeng meets Fang Qing, a new star with superb singing and dancing skills, and serves as a manager for him to return to the arena.In addition to popularizing Fang Qing, Meifeng also finds direction in life, but that makes her relationship with his son even worse. The title “Ama Has A Second” doesn’t mean that “Ama” has another lover, it’s just that “Ama” has another child. It is a work that celebrates the love of women and mother. If it were released a few months earlier, it would not be an exaggeration to be a “Mother’s Day Movie”. Peng Xiuhui elaborated women’s thoughts once again, writing about what a woman would encounter at different ages, with sincere and fascinating emotions. Although most of the audience walked in or watched the two MIRROR boys, the focus was really on the story of this “grandmother”: she was beautiful, she retired at the height of her life and was willing to be a little teacher, but when she got older, she began to feel disoriented. Mao Shunyun played the role of a grandmother and once again showed her acting skills on a post-film level. The scenes with a lot of emotional fluctuations were accurate and the male audience also felt the same in the kitchen scene.
The emotional balance of multiple branches is appropriate
The film has many different branches, whether it is the “grandmother”, the two children or even the secondary characters that surround them, all have a certain role. These characters are all loaded with tragic sadness and will become sensational if they are not careful. I am happy to see that Peng Xiuhui knows how to deal with her characters in her own writing, and is still calm and comfortable with her, without squeezing the audience’s tears, and can still be moved in their hearts; everyone, from conflict to open heart, emotional transitions are naturally revealed, regardless of the character. There is no obvious night feud and the emotional layers progress to the last moment and everything can be released.
There is no record of keeping films for newcomers
This is definitely a film that “keeps new people”, and I like to see that the film is not as blunt as “Fake Girl Group”. This is not only a female story, but also a story of chasing dreams and growing up in a family that tells, through a youthful and stimulating way, the growth of the two new actors on and off the screen. “You look good on me, I’m fine with you”, no matter how beautiful everyone is on the outside, there is always a side that others cannot see on the inside. No matter what you live, the most important thing is to know how to accept yourself, otherwise it will be difficult for others to accept you. This detail is enough for the two underlines to have their own nuances, and you can rest assured that the film also hosts many personal performances of Jiang Tao, and fans have a place to scream too. Compared to “29 + 1”, there really is room for improvement in tempo control, and the middle section feels too long, but if it’s a “newcomer” movie, it’s more than qualified.
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Details of the film
｜ “Ama has the second one” score: 75/100
｜ Duration: 126 minutes
｜ Projection platform: all Hong Kong cinemas
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If you want to see more information about the film, you can go to the social platform and website “Xi. Watching Notes”:
Facebook page:https://www.facebook.com/jackyheimovie
Website:https://travelerwithmovie.com/
Instagram:https://www.instagram.com/travelerwithmovie/
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