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AC/DC Childhood Home Demolished: A Rock ‘n’ Roll Tragedy

AC/DC‘s Aussie childhood Home ⁢Razed: Developers Issue Apology

The childhood home ⁤of ā€AC/DC’s Angus and​ Malcolm Young, a meaningful site in ⁣Australian rock history, has been demolished, sparking controversy and prompting an apology from the developers. Located at ā€4 Burleigh Street ā€Œin​ Sydney’s Burwood suburb, the house held a special place​ in the hearts of fans, serving as the ​birthplace ⁢ofā€ the iconic band in 1973. The property, added to Australia’s National Trust Register of Historic Houses in 2013, was unexpectedly razed before Christmas to make way for a⁢ new $28.75 million residential advancement.

The Young family moved into the house in 1965, ⁢the ā€Œsame year their older brother ā€George Young’s band, The Easybeats, released⁢ their debut album, Easy. This adds another layer to the property’s past meaning,ā€Œ highlighting its role in shaping a significant chapter in Australian music.

Burwood Square Pty Ltd, the company responsible for the demolition, issued a ā€statement⁢ expressing regret. General ā€Œmanager Leon kmita stated, ā¢ā€œWe regret ā€that the previous long-term owner did not share this vital part of the property’s background with us. Learning about this connection after our plans were already underway has shocked us.⁢ We are genuinely sorry for⁤ this oversight.ā€

Kmita continued, expressing remorse ā€for the⁢ demolition and the impact on AC/DC​ fans: ā¢ā€œOn behalf of the team at Burwood Square, I ​want ā€Œto⁣ conveyā€ our ⁤heartfelt regret … we now recognise how deeply this location resonates with ā€the AC/DC community and fans worldwide. We feel​ a strong responsibility to honor⁣ AC/DC’s legacy and to make amends to all the fans who hold this band in such high regard. Whileā€Œ we cannot⁤ change the past, we are dedicated​ to celebrating this significant part of their story. To the global fanbase of AC/DC, ⁢please know that we hear you, appreciate your deep admirationā€ for this legendary band, and are devoted to making this right.ā€

Theā€ developers plan to use salvaged materials from the demolition to create⁣ a commemorative space, possibly a cafĆ© or bar, where fans can gather to celebrate the ​band’s enduring legacy.This gesture aims to partially mitigate the damage caused by the unforeseen demolition.

The local council is also facing⁢ criticism for not preventing the demolition.A council spokesperson stated, ā€œAs it is indeed not heritage listed or protected under local or state legislation, and⁣ as The National⁢ Trust is ⁣a community-based, non-government organisation, with no statutory authority, the property does not have enforceable protections. Burwood Council remains committed to finding new ways to celebrate the Young family and the ⁣area’s rich musical heritage.ā€ This statement highlights the complexities of preserving historical ⁣sites without formal legal⁢ protection.

Burwood ⁢Square ⁣purchased the property in early 2023 for $5.8 million. Before its conversion into a medical practice,the three-bedroom house on ā€Œa 260-square-meter lot last sold for⁣ $962,500 in late 2011.


AC/DC’sā€Œ Aussieā€ Childhood Home Demolished: A Conversation wiht ā€Music Historian Dr. Evelyn Stone





The childhood home of AC/DC’s⁢ Angus and Malcolm⁢ Young, a significantā€Œ site in Australian rock history, ​was demolished sparking controversy and an apology from the developers. ā€Œ Located in ā€Sydney’s ⁤Burwood suburb, ⁢the house,ā€ added to Australia’s National Trustā€ Register of Historic Houses in 2013, was unexpectedly razed before Christmas. This interview with Dr. Evelyn Stone, a leading expert on Australianā€ rock music, delves into the cultural impact of ā€Œthe demolition and the complexitiesā€ of preserving musical heritage.





The loss of a ā€Rock ‘n’ ⁢Roll⁤ Landmark





Senior Editor: Dr. stone, the demolition of the Young ā€family home has shocked many AC/DC fans. Can⁤ you speak to the significance of ā€Œthis⁣ site in ​Australian music history?



Dr.Stone: Absolutely.ā€ This ​wasn’t just ​any house;​ it was⁢ the birthplace⁣ of one of ⁣Australia’s most iconic bands. AC/DC emerged from these walls, honing their craft and developing the raw energy that wouldā€Œ define their sound. The house​ represented a tangible link to the band’s roots, a site of pilgrimage for fans from around⁢ the world.



Senior Editor: The developers have expressed regret for the demolition. Do you think ⁢their apology is​ sufficient?



Dr. Stone: It’s a positive step ⁣that thay have ā€Œacknowledgedā€ the mistake and expressed ā€Œremorse.However, the damage⁤ is done. ⁢This was a unique piece of Australian cultural heritage,ā€Œ and its loss will be⁤ felt deeply by fans and music ​historians alike.





Preserving Musical Heritage:ā€ A Complex Issue





Senior Editor: The⁢ house was on the National trust Register but not formally heritage-listed.Does thisā€Œ highlight a broader issue⁤ regarding the protection of significant music sites in Australia?



Dr. Stone: ⁢ Unfortunately, yes. Many critically important music sites lack ā€formal⁤ protection.⁢ Listings often focus on buildings with architectural significance, ⁢while places associated with musical history sometimes fall through the cracks.



Senior Editor: What steps can be taken to⁢ better protect these sites in the future?



Dr. Stone: We need⁣ a more proactive approach. ā€Identifyingā€Œ andā€Œ documenting places of musical significance, engaging with communities and ⁢fans, and advocating⁤ for legislative ā€Œchanges that recognize the cultural value⁤ of⁣ these sites ​are all crucial steps.



Moving Forward:⁢ Commemoration and Remembrance





Senior Editor: The developers​ have proposed ⁤creating a commemorative space using salvaged materials ā€from ā€the ā€Œdemolished house. do you think this is an adequate tribute?



Dr. Stone: it’s a gesture⁢ of goodwill,but it’s critically important to remember that it ⁢can’t fully replace what was lost.A ⁣physical space where the band’s story unfolded carries a​ unique emotional weight. Perhaps this commemorative spaceā€Œ could serve as a⁣ starting point for a broader ⁢conversation about the importance of preserving⁢ musical heritage.



Senior ⁣Editor: Dr. ​Stone,thank ⁣you for ⁣sharingā€ yoru insightsā€Œ on this important issue.

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