Home » Entertainment » A tragic drama “I am Not Pan Jinlian” will meet Shanghai audiences in September_Li Xuelian_Ding Yi_stage

A tragic drama “I am Not Pan Jinlian” will meet Shanghai audiences in September_Li Xuelian_Ding Yi_stage

First title: A tragic drama “I’m not Pan Jinlian” will fulfill Shanghai audiences in September

CNR Shanghai, August 18 (Reporter Lin Fuyu) As the very first fiction of the period of autumn and wintertime performances 2022/23 at the Shanghai Oriental Artwork Heart, on September 10, the fiction “I am not Pan Jinlian” directed by Ding Yiteng and starring Zhang Xinyi It will be established up in the Opera Corridor of the Shanghai Oriental Art Middle.

Visuals of the drama “I’m not Pan Jinlian” (Image courtesy of interviewee unveiled by China Central Broadcasting Network)

20 many years of complaints, just to prove that “I am not Pan Jinlian”. The drama “I’m not Pan Jinlian” is an adaptation of the novel of the exact same title by Liu Zhenyun, winner of the Mao Dun Literature Award and well known writer, and tells the tale “of the initially half of Li Xuelian’s life that was not regarded” , and draws awareness to heroine Li Xuelian’s complex psychological journey in the original perform. , presented on phase with a wholly various perspective and fashion from the movie, bringing “a tragedy from start out to end” to the audience.

“I am not Pan Jinlian” is a tale about sesame turning into watermelon. It was initially a one-sentence make any difference, but it has turned into a bitter 20-12 months lawsuit. “Liu Zhenyun claimed of his perform. Screenwriter Chapling also said,” At the starting of the adaptation, my strongest belief was to be devoted to the authentic work, so the script retains practically all of the motion strains. by Li Xuelian and above 80% of the strains are dialogues in the unique work, centered on it he also made his own subversion, betrayal and destruction ”.

Director Ding Yiteng has given a much more youthful, bold, pioneering and exploratory temperament to the “new drama system” he has explored more than the many years. Confronted with the bumpy and absurd destiny of “Li Xuelian” in “I’m Not Pan Jinlian”, Ding Yiteng hopes to present “a feeling of humor, an epic perception and a sense of the instances” in developing him. Liu Kedong, a to start with-course manufacturing designer of the National Theater of China, was the production designer of the present and Wang Qi, a famous visible artist, was the designer of the lights, exhibiting the space-time fantasy of dynamic installations and collages of visual aspects.

The curtain rises and falls with the condition of the eyes and the heartbeat, the story will take spot in this eye and the creative imagination is limitless. The axis of the stage is a three-circle “vortex turntable” that can rotate in circles and go up and down. Director Ding Yiteng said: “We connect with it ‘pot’, in simple fact it is also like a whirlwind of destiny, when it transforms, it seems that Li Xuelian’s fate is also concerned in this storm, Li Xuelian has naturally also grow to be the heart of this storm ”.

It is recognized that actor Zhang Xinyi played the guide function in the drama “I am not Pan Jinlian”, and it was also his to start with functionality on the theater phase. In the rehearsal area, he struggled each and every day, reflecting on motion and psychological administration he also made many physique movements, hoping to spotlight a woman’s 20-yr psychological journey crammed with grievances and ache. Ding Yiteng claimed that Zhang Xinyi confirmed super energy and eager perception on the stage stage and experienced the bravery to problem himself, which was really suitable with the position of “Li Xuelian” in the exhibit.

The users of the “male group” in the demonstrate stood out among the hundreds of individuals: they are authorities in eighteen martial arts, these kinds of as Peking Opera, Huangmei Opera, Sichuan Opera, face alter, rap , classical dance, guitar and singing, viola, ballet, modern-day dance and cross-talk. Ding Yiteng hopes to use this sort of a “male group” with a “odd” temperament to present the inherent absurdity of “I Am Not Pan Jinlian”, and at the same time make the stage richer and additional intriguing.Back again to Sohu, see extra

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