Hamburg “Hamlet” Draws Fire for Length, Self-Indulgence, and Lack of Outcome
Hamburg – A recent production of William Shakespeare’s Hamlet directed by Frank Castorf at the Schauspielhaus has sparked criticism for its extended runtime, directorial self-focus, and perceived lack of thematic impact. The six-and-a-half-hour performance incorporates numerous digressions, including references to Tim renner, the 1956 Hungarian Uprising, and a performance of Udo Lindenberg‘s “ich bin Glad, dass ich nicht groß bin” (“I am glad that I’m not a big one”) sung by Hamlet.
The production features Josef Ostendorf as Claudius and notable performances by Matti Krause, who directly addresses Castorf’s directorial choices onstage, questioning his past work and alleged sexism. Costumes are designed by Adriana Braga Perezki.
Critics note a notable portion of the play unfolds via live video feeds from a bunker built onto the lower stage, and that while moments of intensity exist – notably hamlet’s “to be or not to be” soliloquy – the narrative frequently loses focus. The review concludes the production feels “tiring” and ultimately an “imposition,” despite containing “great moments,” and questions whether further Castorf-directed Hamlet productions are necessary. The play concludes with a suggestion of an impending European takeover, symbolized by a character who speaks Chinese.
